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You're Sixteen: SoundTrax Digital Audio Download

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You're Sixteen Cover Image

You're Sixteen: SoundTrax Digital Audio Download

(You're Beautiful and You're Mine)

Words and music by Richard M. Sherman and Robert B. Sherman / arr. Greg Gilpin

Item: 00-A-00015579

$27.99
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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015579

More about this title

About the Composer: Richard M. Sherman

Richard M. Sherman, along with his brother Robert B. Sherman, composed some of the most enduring popular songs of the 20th century. Their work spans film scores, Broadway productions, and standards that have become fixtures in American popular culture. The Shermans' gift for melody and their ability to write lyrics that resonate across generations make their catalog a treasure for music educators seeking accessible, singable material with genuine artistic merit.

Beyond their film and theater work, the Shermans understood how to write for voices. Their melodies sit naturally in the vocal range, their harmonies are elegant without being overly complex, and their lyrics tell clear stories. This makes their compositions particularly valuable for choral programs looking to program music that engages singers and audiences alike.

Why we love this

This arrangement captures the infectious energy of a pop standard while remaining genuinely singable for mixed choirs. Greg Gilpin's touch keeps the writing accessible without sacrificing style, so your singers get to perform a recognizable song that feels current and fun rather than precious or dated.

What to expect

Youthful, optimistic, and genuinely joyful. The Sherman brothers wrote melodies that sit in your head immediately, and this arrangement preserves that quality while giving the choir enough harmonic color to feel musically satisfying. Singers and audiences both recognize the song at once, which creates an instant connection.

Who it's for

Mixed choirs of all experience levels will find this arrangement approachable. High school, community, and college choirs can all perform this without extensive preparation, and the recorded accompaniment makes it practical for groups with limited piano resources.

How to get the most out of it

  • Balance the lead vocal line so the melody cuts through the harmonies; this song lives or dies by the clarity of the tune.
  • Keep the tempo up and the energy consistent; the recorded accompaniment will help establish the pocket, so rehearse with it early and often.
  • Pay attention to vowel shapes on the tag or repeated sections where text might blur; clarity here sells the pop sensibility.
  • Let the chords breathe rhythmically rather than holding them static; the harmonic motion should feel like it's propelling the song forward.

How to use it

Program this in a pop or secular concert set where you want a guaranteed crowd-pleaser that doesn't require elaborate staging or interpretation. It also works well as a lighter moment in a mixed recital, and its accessibility makes it a smart choice for spring or end-of-year performances where you want something memorable that the choir can nail with confidence.

Skills your students will build

  • Singing pop-style phrasing and articulation
  • Blending voice parts while maintaining clarity of the melodic line
  • Responding to tempo and ensemble cohesion via recorded accompaniment
  • Connecting with contemporary repertoire that bridges classical training and popular music

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