You're Sixteen Cover Image

You're Sixteen: TTB Choral Octavo

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You're Sixteen Cover Image

You're Sixteen: TTB Choral Octavo

(You're Beautiful and You're Mine)

Words and music by Richard M. Sherman and Robert B. Sherman / arr. Greg Gilpin

Item: 00-42796

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Description
The Sherman Brothers may be best known for their many Disney contributions, but this pop hit shot them straight to the top of the Billboard 100 when it was covered by Ringo Starr. Quickly-learned harmonies guarantee success!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, You're Sixteen: TTB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081483818
SKU: 00-42796

More about this title

About the Composer: Richard M. Sherman

Richard M. Sherman and his brother Robert B. Sherman crafted some of the most enduring popular songs of the 20th century, from animated film scores to theatrical hits. Their work spans decades of American popular music, demonstrating a gift for melody and lyrical clarity that made their songs instantly memorable and widely performed across genres and ensembles.

Beyond their celebrated film work, the Shermans wrote songs that transcended their original contexts to become standards in popular music. Their ability to write singable, accessible melodies made their compositions natural choices for choral arrangements and student performances.

Why we love this

Greg Gilpin's TTB setting captures the infectious pop energy of this 1974 chart-topper while keeping the arrangement lean and energetic. The quickly-learned harmonies mean your ensemble spends rehearsal time performing rather than decoding, and the familiarity of the song itself builds immediate confidence in singers who might otherwise approach pop repertoire cautiously.

What to expect

Bright and playful, with a rhythmic bounce that keeps everyone engaged. The part-writing is clever enough to feel satisfying without demanding technical virtuosity, allowing singers to focus on nailing the groove and enjoying the moment.

Who it's for

TTB choirs looking for contemporary pop that feels current rather than dated, and singers who respond to music that connects with their own musical world. This arrangement works equally well in middle school, high school, and recreational singing groups seeking accessible material with genuine radio history.

How to get the most out of it

  • Keep the rhythmic pulse crisp and driving throughout. The strength of this arrangement lies in its forward momentum, so resist any urge to smooth out the tempo or linger on sustained notes.
  • Balance the parts so the melody remains the clear focal point, especially when all three voices are moving together. The supporting voices should enhance rather than compete.
  • Use the recorded accompaniment to lock in the groove, but rehearse without it regularly so singers internalize the harmonic progression and can perform confidently if needed.
  • Shape the phrasing to match the conversational, easygoing feel of the original hit. Think natural speech patterns rather than formal classical phrasing.

How to use it

Pair this with other pop or secular standards to build a concert set that audiences recognize and respond to immediately. It's also ideal for shorter programs, casual performances, or singing festivals where familiarity with the song removes barriers and lets the ensemble shine.

Skills your students will build

  • Maintaining rhythmic precision in a pop/rock idiom
  • Balancing three-part harmony without overwhelming the melody
  • Quick harmonic acquisition through accessible part-writing
  • Performing with stylistic energy and contemporary musicality

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