You Raise Me Up: SATB Choral Octavo
Words and music by Rolf Løvland and Brendan Graham / arr. Mark Hayes
Item: 00-PO-0001395
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Rolf Lovland
Rolf Lovland is a Norwegian composer known for writing songs that resonate across genres and cultures. His collaborations with lyricist Brendan Graham have produced work performed by artists ranging from classical crossover singers to contemporary pop acts, demonstrating his gift for melody that transcends stylistic boundaries.
Lovland's compositional approach draws from European folk traditions while embracing contemporary songwriting sensibilities. His music has become standard repertoire in both concert halls and recording studios, making him a significant voice in modern popular song composition.
Why we love this
Mark Hayes's arrangement captures the emotional sweep of the original without losing the melodic clarity that made this song a phenomenon across multiple genres. This is genuinely stirring choral writing—layered, respectful of the tune, and deeply gratifying to rehearse and perform. The optional orchestration adds flexibility, so you can program it with or without accompaniment depending on your concert context.
What to expect
Warm and expansive. The piece unfolds with genuine emotional directness, building from reflective passages to moments of real power and affirmation. There's an underlying current of hope and connection that resonates whether you're singing it or hearing it.
Who it's for
Directors programming pop or sacred concerts who want substantial choral writing that honors both the original song and the voices singing it. This arrangement works for community choirs, church choirs, high school and college ensembles, and concert choirs looking to connect with audiences beyond classical repertoire.
How to get the most out of it
- Balance the melody line carefully across voice parts. The tune will travel between sections, and clarity depends on each part understanding where the primary line sits in each phrase.
- Use the recorded accompaniment during early rehearsals to anchor intonation and establish the harmonic foundation, then gradually reduce reliance on it as the choir internalizes the voicing.
- Shape the dynamics through the arch of each phrase rather than locking into one volume level. This piece lives in its ability to build and recede emotionally.
- Pay particular attention to unison or doubling passages. When voices align on a single note or melody, lock in the tone quality completely for maximum impact.
How to use it
This works beautifully as a closing piece for a concert centered on contemporary music, pop arrangements, or themes of hope and celebration. It's equally at home in a graduation concert, a community service, or a multi-genre program where you want to bridge classical and popular worlds. Consider pairing it with other accessible pop or folk-based arrangements to create a thematic set.
Skills your students will build
- Voice independence within lush harmonies
- Phrasing and emotional storytelling in contemporary idioms
- Reading and balancing parts with overlapping melodic content
- Intonation stability in block harmonies and sustained chords