You'll Be Mine: SAB Choral Octavo
(Party Time)
Words and music by Emilio Estefan, Jr., Lawrence Dermer, and Clay Ostwald / arr. Eric Van Cleave
Item: 00-PO-0006016
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Emilio Estefan
Emilio Estefan is a Cuban-American musician, songwriter, and producer who shaped the sound of pop and Latin music from the 1980s onward. As the creative force behind the Miami Sound Machine and a prolific songwriter, Estefan crafted some of the most recognizable hits of the decade, blending Latin rhythms with accessible pop songwriting. His work in music education extends through arrangements and compositions that bring contemporary energy to choral programs.
Estefan's catalog demonstrates how effective pop songwriting works: memorable hooks, singable melodies, and rhythmic propulsion that keeps audiences engaged. For choral directors, his pieces offer a direct entry point into music that students actually want to sing.
Why we love this
This octavo captures everything that makes a pop arrangement work in a choir context: the infectious Latin groove sits naturally under SAB voicing, the distributed solos keep energy moving through verses, and that harmonized hook gives everyone a moment to shine together. It's the kind of piece that generates genuine enthusiasm from singers because the music feels current and fun, not manufactured for educational purposes.
What to expect
The arrangement pulses with Latin heat and infectious optimism. From the opening moments, listeners recognize the classic pop DNA, but the SAB voicing keeps the texture clear and energetic rather than dense. There's real joy in singing this music, especially in the harmonized hook where all three parts lock into a moment of collective celebration.
Who it's for
Choirs working at intermediate to advanced levels who want contemporary repertoire that audiences recognize. This piece works equally well in high school, community, and adult choral settings where singers are comfortable with syncopation and can execute rapid text delivery with clarity.
How to get the most out of it
- Lock the rhythm section into the Latin groove early in rehearsal. The percussion parts and bass line drive the entire arrangement, so get those elements solid before layering in vocal parts.
- Teach the rapid-fire lyrics through rhythmic isolation first. Speak the text in rhythm without worrying about pitch, then add melody once the syllables sit comfortably.
- Shape the interlude before the final section as your dance break moment. This eight-bar passage signals a shift in energy, so let the tempo stay steady but encourage the singers to feel the physicality of the rhythm.
- Balance the optional verse solos by rotating singers across rehearsals. Even those not singing featured lines should understand their part so the energy stays collective rather than spotlight-driven.
How to use it
Program this as an audience favorite in a pop or contemporary choral concert, or use it strategically in a mixed repertoire program where you want an accessible, high-energy piece that bridges formal and fun. The optional solos and brief dance interlude make it ideal for programs that include theatrical or movement elements. It's also a strong closer or early-show piece because its energy and recognizability grab attention immediately.
Skills your students will build
- Singing in syncopated rhythms with accurate text delivery
- Reading and executing Latin percussion patterns while singing
- Balancing three-part SAB harmony in an uptempo pop context
- Sustaining rhythmic precision in rapid-fire passages
- Managing optional solos and ensemble sections within a single arrangement