Yo!: 4-5 Saxophones (A(S)ATTBar) Conductor Score & Parts

Cimiotti captures genuine funk energy without sacrificing musical craft. The rhythmic and melodic motives interlock so cleanly that even a four-saxophone version feels complete and driving, making this an ideal vehicle for groups that want to sound like they're having real fun without oversimplifying the writing.

Propulsive and purposeful, with a groove that sits in the pocket from the first measures. The music breathes with the ease of naturally flowing conversation, where melodic ideas pass between players as if they're riffing together, creating layers of forward momentum that feel both composed and spontaneous.

Intermediate to advanced high school and college saxophone quartets (or larger sections that can field five players) looking for contemporary work with real swing and musical substance. This piece rewards groups with secure fundamentals and comfort with jazz stylistic elements.

• Lock the rhythmic foundation by having the baritone and tenor establish the groove pocket first, then layer the altos and soprano around that anchor.
• Lean into the Bob Mintzer influence by letting the written counterpoint sing with the same confidence you'd bring to an improvised exchange; these lines have solo weight even when they're scored parts.
• Balance the tenor solo passages so they sit slightly forward of the ensemble, but keep them conversational rather than separated; this is call-and-response, not feature-and-accompaniment.
• Use a click or minimal drum pattern in early rehearsals to cement the funk feel, then pull it away as the ensemble's internal groove solidifies.

Program this on a concert that leans into contemporary or fusion repertoire, or use it to anchor a set showcasing your saxophone section's versatility and personality. At roughly ten minutes of rehearsal payoff, it works well mid-season when your ensemble is ready to tackle rhythmic sophistication and stylistic authenticity.

• Playing with secure jazz articulation and phrasing across multiple voice parts
• Reading and executing syncopated rhythmic patterns without losing ensemble cohesion
• Balancing counterpoint lines so each melodic layer reads clearly
• Groove awareness and internal timekeeping in funk and jazz contexts
• Stylistically informed listening and response within ensemble settings