"...yet from those flames no light..." Cover Image

"...yet from those flames no light...": Full Scores

$91.00 USD
Sale price  $91.00 USD Regular price 
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"...yet from those flames no light..." Cover Image

"...yet from those flames no light...": Full Scores

for Solo Harp and Orchestra

By Ørjan Matre

Item: 98-EP14274

$91.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 54
ISBN10: 0-01-412652-4
ISBN13: 979-0-0141-2652-0
SKU: 98-EP14274

More about this title

About the Composer: Ørjan Matre

Ørjan Matre is a Norwegian composer whose work spans orchestral, chamber, and vocal music. His writing is marked by a sophisticated harmonic language and careful attention to instrumental color, particularly in works for strings where he exploits the full range of textural possibilities.

Why we love this

The title alone signals Matre's poetic sensibility, and the full score reveals music that treats the string orchestra as a nuanced, expressive instrument. This is contemporary writing that respects orchestral tradition while refusing convention, making it an essential inclusion for directors seeking repertoire with real artistic substance.

What to expect

The title suggests transformation emerging from darkness. Music unfolds with deliberate restraint, layering string textures that feel both intimate and luminous, invoking something like watching embers glow rather than burn.

Who it's for

String orchestra directors programming contemporary music for advanced ensembles. This score serves orchestras seeking works that challenge players technically and musically without requiring vocal or percussion forces.

How to get the most out of it

  • Study the score thoroughly before rehearsals begin; this writing demands precision in intonation and balance that rewards preparation from the podium.
  • Shape dynamics gradually across longer phrases rather than making sudden shifts; the architecture of this piece depends on clear directional momentum.
  • Attend to divisi sections with careful attention to balance; doublings and doubts about who carries which line will blur the composer's intent.

How to use it

Pair this with a classical era string concerto or symphony to create a program that contrasts historical voices with contemporary vision. Its introspective quality makes it an effective second-half opener or closing meditation.

Skills your students will build

  • Reading contemporary notational practices and articulation markings specific to modern string writing
  • Sustaining tone quality and ensemble intonation in extended passages without harmonic anchors
  • Balancing independent divisi lines while maintaining collective ensemble cohesion
  • Responding to detailed dynamic and expressive shaping across longer musical phrases

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