Yes, Virginia: SAB Choral Octavo
There's a Santa Claus
Music by Wesley Whatley, lyrics by William Schermerhorn / arr. Andy Beck
Item: 00-PO-0001073
Minimum order quantity: 20 copies
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Description
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More about this title
Why we love this
Andy Beck's arrangement captures the warmth and sincerity of the original without overwhelming singers who are still building range and confidence. The SAB voicing sits naturally for mixed ensembles, and the straightforward harmonic language lets the melody shine without demanding advanced voice-leading skills. Programming a piece audiences already know and love removes rehearsal time spent on cultural context; singers can focus on phrasing and blend from day one.
What to expect
Gentle, nostalgic, and genuinely moving. The arrangement preserves the animated film's innocence while grounding the piece in solid vocal writing that feels warm in any concert hall.
Who it's for
Choirs seeking accessible seasonal repertoire with broad appeal, from high school groups to community and adult ensembles. If you have singers new to three-part mixed voicing or limited rehearsal time before the holidays, this ballad offers an immediate win without sacrificing musicality.
How to get the most out of it
- Lean into the legit vocal production rather than a pop-influenced belt. The arrangement supports sustained singing and clear vowel shapes, which keeps fatigue at bay during holiday performance runs.
- Shape the phrase endings with a slight tapering of tone rather than a full cutoff. This keeps the tender quality alive even when moving between sections.
- Balance the alto and baritone lines so they support the sopranos without competing. These parts carry harmonic color; resist the urge to let them disappear.
How to use it
Feature this as a shorter, emotionally grounded piece within a larger holiday concert, where it can create an intimate moment between higher-energy arrangements. It also works as a concert closer, leaving audiences with the piece's message of belief and hope.
Skills your students will build
- Sustaining legit vocal tone over longer phrases without strain
- Blending three-part harmony while maintaining part independence
- Shaping lyrical phrasing with intention rather than mechanical rhythm