Yes, Virginia Cover Image

Yes, Virginia: SSA Choral Octavo

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Yes, Virginia Cover Image

Yes, Virginia: SSA Choral Octavo

There's a Santa Claus

Music by Wesley Whatley, lyrics by William Schermerhorn / arr. Andy Beck

Item: 00-35754

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Description
This sweet ballad, the title song from the animated movie of the same name, was performed by Ann Hampton Callaway at The Macy's Thanksgiving Day Parade in New York City. Now singers of any age can warm the hearts of holiday audience members with this magical concert arrangement. "It's true if you believe."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Yes, Virginia: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081399508
SKU: 00-35754

More about this title

Why we love this

Andy Beck's arrangement captures the warmth and sincerity of the original without overwhelming younger or less experienced singers. The SSA voicing keeps the piece accessible while maintaining the emotional lift that made this song resonate at the Macy's parade. Holiday programming often defaults to the same handful of carols; this modern ballad offers genuine novelty and a chance to connect with audiences through a contemporary voice.

What to expect

Gentle and sincere, with the kind of understated magic that works because it trusts the melody and the listeners' hearts. The arrangement opens space around the voices rather than crowding them, creating an intimate feeling even in larger venues.

Who it's for

Choirs spanning middle school through adult community groups will find this piece within reach. Its accessibility makes it ideal for ensembles building confidence in three-part singing, while the emotional substance keeps it interesting for more experienced singers.

How to get the most out of it

  • Balance the melody across your soprano section rather than concentrating it with one strong singer. The arrangement works best when the tune feels shared and collective.
  • Let the alto line breathe independently in moments where it moves away from the melody. These countermelodic passages add richness and deserve subtle emphasis.
  • Shape the phrase endings with gentle dynamic relaxation rather than hard cutoffs. The lyrical nature asks for continuity even in the silence between ideas.
  • Use the recorded accompaniment in rehearsal to establish the harmonic context early. This helps singers internalize the ballad's pacing and emotional arc before polishing interpretation.

How to use it

This sits naturally in a holiday concert's second half, after more energetic repertoire, where its quiet sincerity can land with full impact. It also works as an encore or as a bridge between secular and sacred seasonal music. Consider programming it early in your rehearsal calendar so singers have time to connect emotionally with the text.

Skills your students will build

  • Balancing three independent melodic lines (melody, alto countermelody, and supporting harmony)
  • Sustaining lyrical phrasing across longer note values
  • Blending treble voices while maintaining individual line clarity
  • Responding to emotional intent within a simple harmonic framework

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