Yamaha Performance Folio Cover Image

Yamaha Performance Folio: Oboe Book

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Yamaha Performance Folio Cover Image

Yamaha Performance Folio: Oboe Book

By Frank Erickson, John Kinyon, and John O'Reilly

Item: 00-11662

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Description
Composed or arranged by Frank Erickson, John Kinyon and John O'Reilly, this exciting collection includes 14 never-before-published selections correlated to specific pages in the Yamaha Band Student, Book 1. Presented in a variety of styles, these full band pieces will captivate students and audiences alike and will continue to motivate young bands year after year!

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-0126-4
ISBN13: 978-0-7390-0126-4
UPC: 038081114453
SKU: 00-11662
Instrumentation: Oboe

More about this title

About the Author: Frank Erickson

Frank Erickson stands as one of the most prolific and respected band composers of the 20th century. His output spans generations of student musicians, from beginning band arrangements to advanced concert works, all marked by clear instrumentation, musical integrity, and an instinct for what young players can accomplish with proper motivation.

Erickson's ability to write music that feels both genuinely musical and pedagogically sound made him invaluable to the Yamaha Band Method. His pieces challenge without overwhelming, using straightforward harmonic language and logical phrase structures that help students internalize musicianship alongside technical development.

Why we love this

This folio solves a real problem: students need engaging full-band material that aligns precisely with their method book progression, not generic supplementary pieces. The 14 original selections are specifically correlated to Yamaha Book 1, which means you can assign them as reinforcement exactly when students master the corresponding technique or rhythmic concept. In a crowded market of band supplements, this collection's direct pedagogical integration makes it genuinely useful for systematic curriculum building.

What to expect

These pieces have the clarity and directness of good method-book writing, but they don't sound like exercises. Students hear themselves playing real music with shape, contrast, and style; the variety keeps ears engaged and prevents the monotony of purely pedagogical material.

Who it's for

Directors working with first-year band students using the Yamaha Band Student method will find immediate application here. These arrangements work equally well for middle school and high school beginners, or for community bands rebuilding from foundational skills.

How to get the most out of it

  • Assign pieces in the order they appear in your method book to reinforce newly learned concepts; each selection targets specific pages for maximum relevance
  • Use these as performance opportunities throughout the year rather than saving them for contests; student motivation increases when newly learned skills get showcased immediately
  • Balance the variety of styles within the folio; rotating between contrasting pieces keeps rehearsals energized and exposes students to different compositional approaches

How to use it

Program individual selections throughout the year as your ensemble progresses through the method book. These 14 pieces also work as a complete concert program on their own, providing a coherent first-year showcase that demonstrates student growth across multiple styles and musical contexts.

Skills your students will build

  • Reading oboe-specific passagework aligned to Yamaha Book 1 technique
  • Sustaining tone across varied dynamic ranges and style changes
  • Responding to sectional balance cues in full band textures
  • Musical phrasing and articulation in multiple musical styles
  • Confidence performing material that reinforces current method-book studies

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