Yamaha Band Ensembles, Book 2 Cover Image

Yamaha Band Ensembles, Book 2: Percussion Book

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Yamaha Band Ensembles, Book 2 Cover Image

Yamaha Band Ensembles, Book 2: Percussion Book

A Collection of Mixed Ensembles that Correlate Page-by-Page with the Yamaha Band Student

By John Kinyon and John O'Reilly

Item: 00-5264

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Description
Yamaha Band Ensembles provide interesting repertoire selections in an amazingly flexibly format that will meet the needs of your band year after year, regardless of how your group's instrumentation varies. Each piece can be performed as a solo or ensemble by any combination of same or mixed instruments. Each ensemble also correlates with a specific page in the Yamaha Band Student.

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-0176-0
ISBN13: 978-0-7390-0176-9
UPC: 038081007854
SKU: 00-5264
Instrumentation: Percussion

More about this title

About the Author: John Kinyon

John Kinyon

John Kinyon earned degrees from Ithaca College and the Eastman School of Music, along with an honorary doctorate from Limestone College in Gaffney, South Carolina. His career spans instrumental music direction in multiple school districts, educational work with Warner Brothers Music in New York, and faculty appointments in music education at the University of Miami, Florida.

Kinyon has composed over 250 educational pieces for Alfred Music, establishing himself as a prolific voice in band repertoire across grades 1 through 3. His catalog encompasses original marches, ballads, and overtures written in diverse styles, making his work a fixture in school band programs for decades. Since 1982, he has maintained a semi-retired presence while continuing to influence music education through his extensive published output.

Why we love this

This book strips away the usual constraints of standard percussion parts by letting each piece function as a solo, small ensemble, or full group contribution depending on who shows up on any given day. Percussion students get genuine musical responsibility instead of relegated accompaniment, and your instrumentation problems dissolve because the flexible scoring means you're never stuck waiting for players you don't have.

What to expect

Straightforward and accessible, with the kind of clear musical writing that lets students focus on steady execution rather than wrestling with complex notation or demanding ranges. The pieces sit comfortably under the fingers and mallets, allowing percussionists to concentrate on rhythm accuracy, dynamics, and ensemble blend.

Who it's for

Percussion students in developing bands who need repertoire that matches their evolving skills and instrumentation. This book works equally well for programs with one full percussion section or several smaller groups rotating through parts.

How to get the most out of it

  • Align percussion entries with the band student materials you're already using; the coordination between book and method makes rehearsal transitions smoother and reinforces what students are learning in their primary materials.
  • Balance mallet or stick choices based on whether a piece calls for melodic clarity or textural weight; even simple arrangements benefit from intentional sound selection.
  • Use ensemble pieces to rotate percussion students through different parts so they develop comfort across the full range of available instruments.

How to use it

Coordinate these pieces directly with your band's progression through the Yamaha Band Student method, since each selection corresponds to specific method pages. They work well as concert fillers, sectional warm-ups, or as standalone percussion ensemble offerings during variety concerts.

Skills your students will build

  • Reading percussion notation across staff lines and treble clef
  • Independence in maintaining rhythm patterns while listening to ensemble voices
  • Transition between melodic and non-pitched percussion parts
  • Ensemble balance and blend with mixed percussion combinations
  • Flexibility in adapting single-player parts for ensemble performance

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