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World on a String: Book

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World on a String Cover Image

World on a String: Book

By Ramona Holmes and Terese M. Volk

Item: 00-19603

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Description
World on a String exposes your string students to music from around the world, providing insights about rich cultures and heritages from other countries. With over 30 pieces available for performance in one collection, playable by any size ensemble, students will now be able to experience different cultures and styles through this incredible collection of world music.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-1186-3
ISBN13: 978-0-7390-1186-7
UPC: 038081185149
SKU: 00-19603

More about this title

About the Author: Ramona Holmes

Ramona Holmes brings extensive experience in string pedagogy and multicultural music education. Her work centers on creating accessible arrangements that honor musical traditions from diverse communities while remaining playable by developing ensembles.

Why we love this

String directors consistently face the challenge of finding repertoire that opens students' ears to musical traditions beyond the Western classical canon. This collection does exactly that without requiring you to hunt through dozens of separate publications. The sheer breadth here—over 30 pieces across multiple cultures—makes it practical to build a thematic unit or concert around global music while keeping ensemble size flexibility at the forefront.

What to expect

A journey across continents and centuries. Each piece carries distinct melodic flavors, rhythmic profiles, and harmonic languages that reflect the cultures they represent. The collection balances accessibility with authentic expression, allowing students to experience music that sounds genuinely different from the repertoire they typically encounter.

Who it's for

String orchestra directors who want to expand their students' musical vocabulary and build appreciation for world music traditions. This collection works equally well in middle school, high school, and community orchestras, and accommodates ensemble configurations from small chamber groups to full orchestras.

How to get the most out of it

  • Pair pieces from the same region or culture in rehearsal to help students build listening habits specific to that tradition's rhythmic and melodic conventions.
  • Use the cultural context notes provided to frame each piece during sectionals; students engage more deeply with unfamiliar idioms when they understand the music's origins and function.
  • Stagger introduction of pieces across the semester rather than tackling all 30 at once; rotating through different styles prevents ear fatigue and keeps rehearsal energy varied.
  • Encourage students to research the instruments, scales, and performance traditions associated with each piece before playing it; this background knowledge transforms a reading session into genuine cultural exploration.

How to use it

Build an entire concert around the theme of cultural exchange, curating pieces that highlight connections or contrasts between regions. Alternatively, weave individual pieces into a traditional season as cultural interludes between standard repertoire, or use the collection to anchor a music history unit that explores how different societies shape instrumental music.

Skills your students will build

  • Reading unfamiliar rhythmic patterns and metric structures rooted in non-Western traditions
  • Adapting tone and articulation to match the aesthetic of different cultural styles
  • Understanding the relationship between text, ritual, or social context and musical structure
  • Sight-reading across diverse harmonic languages and melodic contours
  • Ensemble flexibility and sectional balance when learning multiple pieces in quick succession

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