Wonderful Life: 2-Part Choral Octavo
from the movie Smallfoot
Words and music by Wayne Kirkpatrick and Karey Kirkpatrick / arr. Lisa DeSpain
Item: 00-PO-0005984
Minimum order quantity: 20 copies
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More about this title
About the Composer: Wayne Kirkpatrick
Wayne Kirkpatrick is a Nashville-based composer and songwriter who has written for major motion pictures and Broadway productions. His work spans animated films, live-action features, and theatrical productions, bringing accessible melodic sensibilities and emotional clarity to every project.
Kirkpatrick's songs consistently appeal to young performers and audiences alike, combining contemporary harmonic language with memorable hooks that stick with singers long after rehearsal ends.
Why we love this
This arrangement captures the optimism of the film without requiring extensive vocal range or technical difficulty, making it genuinely singable for developing choirs. The text itself carries real weight—curiosity and wonder aren't abstract concepts here, but something your singers can connect to immediately. Lisa DeSpain's 2-part setting preserves the song's emotional core while keeping the focus on clarity and ensemble blend.
What to expect
Introspective and gently aspirational, like standing at the edge of something unknown and choosing to step forward anyway. The melody soars without becoming showy, and there's an earnestness throughout that resonates with singers who haven't yet performed a lot of contemporary pop.
Who it's for
Middle school and early high school choirs, particularly groups expanding into pop repertoire or seeking contemporary material with genuine artistic substance. It also works well for mixed-age community choirs and church ensembles looking for accessible yet meaningful modern songs.
How to get the most out of it
- Shape the melodic phrases with intentional breath points rather than technical breaks; the emotional arc matters more than perfect legit. Give singers permission to breathe where the text naturally lands.
- Balance the two parts carefully in rehearsal. Even though this is 2-part writing, independent voice leading can muddy the sound if singers aren't listening to each other.
- Keep the tempo conversational. This is a ballad about reflection, not a march. Avoid rushing even when the text feels urgent.
How to use it
Pair this with other contemporary choral pieces for a concert centered on identity and discovery, or use it as a bridge piece between traditional and modern repertoire in a mixed-genre concert. It also works as a meaningful closer for a spring concert, where its message about curiosity and growth lands naturally.
Skills your students will build
- Singing with legit phrasing in contemporary pop contexts
- Maintaining independent vocal lines in 2-part texture while blending ensemble sound
- Connecting emotional meaning to interpretation choices
- Navigating rhythmic simplicity while preserving musical shape and intent