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With Zeal Unceasing: Concert Band Conductor Score

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With Zeal Unceasing Cover Image

With Zeal Unceasing: Concert Band Conductor Score

By Todd Stalter

Grade: 3.5 (Medium)

Item: 00-48146S

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Description
This high-energy piece opens with a brief, powerful introductory fanfare that leads to a rapid-paced set of melodic fragments, contours, and rhythms derived from the well-known Austrian hymn, before hurtling its way through a variety of meters, interspersed with percussive punctuation. (2:00)

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 16
UPC: 038081555744
SKU: 00-48146S

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter built a 34-year legacy at Eureka High School in Illinois, transforming the band program into a statewide powerhouse. His marching band won 16 Class 1A state championships, while his concert ensembles consistently earned Superior ratings at IHSA contests and performed at venues ranging from Orchestra Hall in Chicago to Walt Disney World. He was inducted into the Illinois State Marching Band Championships Hall of Fame and has guest-conducted All-State bands across multiple states.

Beyond the podium, Stalter is an active clinician and adjudicator, presenting regularly at state music educators conferences. His compositional voice reaches music programs nationwide, with many works appearing on state festival lists and in the respected GIA publication "Teaching Music Through Performance in Band." He holds degrees from Illinois State University in music education and trumpet performance, where he studied with leading musicians including Richard Lehman of the United States Marine Band.

Why we love this

The fanfare-driven architecture grabs listeners immediately, and the subsequent development of the Austrian hymn melody through shifting meters keeps ensembles engaged intellectually throughout the two-minute runtime. Grade 3.5 scoring achieves real sophistication without the logistical demands of a Grade 5 work, making it an ideal choice for festival programming or end-of-year concerts where you need something that sounds ambitious but doesn't consume rehearsal time.

What to expect

A rush of forward momentum, propelled by fanfare brass and rhythmic complexity that keeps the piece from settling into predictability. The Austrian hymn emerges like a familiar landmark glimpsed from a speeding vehicle, recognizable but fragmented and constantly reframed through new harmonic and metric perspectives.

Who it's for

Concert bands preparing for festivals or contests looking for a showpiece that balances energy with compositional substance. This works equally well for programs seeking a strong opener or closer that leaves an impression without extensive rehearsal time demands.

How to get the most out of it

  • The percussive punctuation marks need rhythmic precision from your rhythm section. Lock those attacks in early so they become anchors for the melodic fragments above.
  • Treat the meter shifts as narrative moments rather than obstacles. If your band understands what the composer is doing thematically, they'll navigate the changes with confidence instead of defensive caution.
  • The opening fanfare sets the character for everything that follows. Find the sweet spot between brilliance and control; too much volume and you've lost the articulate detail that makes the introduction work.

How to use it

Program this as a festival selection where you need work that demonstrates control of contemporary writing techniques and harmonic sophistication. It also serves as a compelling concert opener, especially at events where you want to signal that your ensemble is engaged with music beyond traditional repertoire.

Skills your students will build

  • Navigating mixed meter changes while maintaining pulse and ensemble cohesion
  • Articulating rapid melodic fragments with clarity and uniform phrasing
  • Balancing foreground rhythmic punctuation with background harmonic support
  • Reading and interpreting contemporary compositional language rooted in classical source material

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