Witches Dance, Opus 17, No. 2: Piano

Witches Dance captures everything that makes MacDowell's smaller works so satisfying to perform and hear: a clear narrative arc, genuine harmonic sophistication, and writing that sits naturally under the hands without sacrificing compositional substance. This is character music with real teeth, demanding rhythmic precision and tonal control rather than relying on sheer virtuosity.

A vivid character study set to music; the witches are present in the rhythmic energy, syncopated gestures, and harmonic surprises that keep the listener slightly off balance. The piece moves with theatrical flair, balancing moments of sharp, almost mischievous humor with brief passages of haunting lyricism.

Intermediate to advanced pianists ready to engage with substantial Romantic character music that requires both technical facility and musical judgment. This work suits pianists preparing for competitions, conservatory auditions, or recitals where period-appropriate American repertoire strengthens the program.

• Establish the rhythmic profile of the main theme immediately; the piece depends on precise articulation and clarity of line to create its narrative momentum.
• Shape the harmonic shifts with attention to voice leading rather than treating each chord as an isolated event; MacDowell's harmonic language rewards listening to the progression as a conversation.
• Calibrate the dynamic range carefully across the 12 pages; avoid playing too heavily in the dance sections, which need buoyancy and forward motion rather than weight.
• Study the score for MacDowell's own tempo and character indications; they are part of the musical architecture and often suggest expressive choices that modern performers might otherwise miss.

Program this as a strong solo statement on a recital celebrating American Romantic composers, or pair it with other MacDowell character pieces to showcase the breadth of his piano writing. Its moderate length and colorful content also make it suitable for young artist concerts or competitions where stylistic variety and a clear musical personality matter.

• Articulation and rhythmic precision in syncopated passages
• Voice independence and balance when multiple lines compete for attention
• Harmonic analysis of Romantic-era chromaticism and key relationships
• Expressive shaping across longer musical phrases without losing structural clarity
• Period-appropriate interpretation of American Romantic concert music