Winter Wonderland Cover Image

Winter Wonderland: Full Orchestra Conductor Score

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Winter Wonderland Cover Image

Winter Wonderland: Full Orchestra Conductor Score

Arr. Calvin Custer

Grade: 3.5

Item: 00-FO9713C

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Description
Calvin Custer presents this flawlessly sculpted holiday treat with sounds hearkening back to the glory days of Leroy Anderson and his scorings for the Boston Pops. To make a delightful arrangement even more resplendent, we work our way to the final chorus which has all the delicious flavorings of the Big Band era as the whole orchestra swings! With all the colors of the spectrum and all of the charms of the season, this is a dynamic work! (2:44)

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 20
UPC: 029156605273
SKU: 00-FO9713C

More about this title

About the Arranger: Calvin Custer

Calvin Custer has built a reputation for orchestral arrangements that honor the classic American tradition while remaining accessible to school ensembles. His work reflects a deep understanding of orchestration across multiple styles, from light classical to jazz-inflected popular music, allowing him to craft scores that sound sophisticated without demanding virtuosic performance from every section.

Why we love this

Custer captures the infectious charm of mid-century pops orchestra arranging without sacrificing clarity or balance. The progression from straightforward holiday melody to full-voiced Big Band swing in the final chorus gives your ensemble a genuine arc to play toward, and the orchestration makes every section feel essential rather than decorative.

What to expect

You step through a doorway from a gentle, snow-scene opening into a warm, animated celebration. The music swings with genuine joy by the end, recalling the lush orchestral sound of holiday pops concerts from decades past while feeling energetic and fresh.

Who it's for

This arrangement serves conductors and orchestras (middle school through community level) seeking a holiday selection that entertains audiences without retreating into pure nostalgia. It works equally well for ensembles with complete instrumentation and those managing instrumentation gaps, since the orchestration provides flexibility.

How to get the most out of it

  • Balance the secondary parts during the opening sections so the main melody remains the clear focal point; strings and woodwinds often carry countermelodies that support rather than compete with the tune.
  • Shape the transition into the Big Band section deliberately. The shift from lyrical to swinging should feel intentional, not abrupt. Rehearse the rhythmic feel change separately before putting it in context.
  • Use the 20-page score to map your sectional priorities. With full orchestra forces, you'll likely need to identify which doubled parts can be handled by fewer players if your instrumentation is lean.
  • Let the rhythm section drive the swing feel in the final chorus. Drums, bass, and piano establish that groove first; the rest of the orchestra locks in after.

How to use it

Program this as an audience opener or a mid-concert palate cleanser on a winter concert. Its familiar melody and uplifting character make it an effective bridge between classical repertoire and other contemporary selections, or pair it with other holiday arrangements to create a coherent seasonal set.

Skills your students will build

  • Reading and executing articulation across a full orchestral texture
  • Balancing independent melodic lines within a densely scored arrangement
  • Shifting between legato and swing feels within a single work
  • Understanding orchestral color and voicing through Leroy Anderson influenced scoring

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