Winter Rounds, Op. 13 Cover Image

Winter Rounds, Op. 13: Conductor Score & Parts

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Winter Rounds, Op. 13 Cover Image

Winter Rounds, Op. 13: Conductor Score & Parts

By Ernest Von Dohnanyi

Item: 36-M130291

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Description
A collection of ten bagatelles, inspired by a poem of the same name by Viktor Heindl. Contents: 1. Widmung 2. Marsch der lustigen Bruder 3. An Ada 4. Freund Victor's Mazurka 5. Spharenmusik 6. Valse aimable 7. Um Mitternacht 8. Tolle Gesellschaft 9. Morgengrauen 10. Postludium

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Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852042-2
ISBN13: 979-8-88-852042-0
UPC: 660355067501
SKU: 36-M130291
Instrumentation: Piano

More about this title

About the Composer: Ernest Von Dohnanyi

Ernest von Dohnanyi (1877-1960) was a Hungarian composer, pianist, and conductor whose works bridged the late Romantic and early modern idioms. A virtuoso at the keyboard, he wrote prolifically for piano, and his compositional voice combined lyrical expressiveness with sophisticated harmonic language. Von Dohnanyi held significant positions across European musical institutions and became a towering figure in twentieth-century Hungarian musical life, championing both new works and the classics throughout his long career.

Beyond his symphonies and concertos, von Dohnanyi had a gift for intimate character pieces. His bagatelles and shorter forms reveal the same melodic richness and craftsmanship found in his larger works, making them essential for pianists seeking substantive yet approachable repertoire.

Why we love this

These ten pieces showcase von Dohnanyi's gift for melody and elegant orchestration without requiring a full ensemble. Each bagatelle stands on its own as a complete musical thought, yet the collection as a whole offers variety in character, tempo, and mood that reflects the changing light of a winter day. The harmonic language is accessible enough for intermediate-advanced pianists but sophisticated enough to sustain repeated listening.

What to expect

Winter Rounds captures the introspective and ceremonial moods of colder months through an ever-shifting emotional landscape. One moment you are swept up in a spirited march or waltz; the next, you retreat into intimate reflection. The harmonic language is refined and often surprising, with coloristic touches that evoke candlelit interiors and frost-kissed mornings.

Who it's for

This collection suits intermediate-advanced pianists seeking substantial character pieces beyond the typical romantic repertoire. Teachers will find these bagatelles invaluable for students developing interpretive maturity, tonal control, and the ability to sustain phrase architecture across varying harmonic contexts.

How to get the most out of it

  • Attend to the titular inspiration of each movement. Von Dohnanyi titles each piece with literary or thematic references that guide interpretive choices; read the poem or movement title before rehearsing to let context inform your phrasing.
  • Balance clarity of texture with lyrical singing lines. These bagatelles rarely feature dense counterpoint, so resist the urge to over-pedal; let each voice breathe independently.
  • Notice the dance rhythms embedded throughout (mazurka, waltz, march). Rather than treating them mechanically, shape them with the gentleness and humor von Dohnanyi intends; they are character sketches, not strict formal displays.

How to use it

Program a single bagatelle as an encore, or weave several movements into a recital program to provide thematic cohesion without demanding a full sonata. These pieces also work beautifully in a winter or seasonal concert, where their evocative titles and mood progressions support the concert's arc.

Skills your students will build

  • Phrase shaping across varied harmonic progressions
  • Interpretive choices grounded in extra-musical context (poetry, seasonal imagery)
  • Pedal control and textural clarity in chromatic and coloristic writing
  • Stylistic flexibility across dance forms (waltz, mazurka, march)
  • Sustained singing tone in lyrical passages without relying on excessive pedal

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