Wings of Wonder: Concert Band Conductor Score & Parts
By Tyler S. Grant
Grade: 2
Item: 98-DTSGB039
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Wings of Wonder: Score | $15.00 | |
| Wings of Wonder: Flute | $4.50 | |
| Wings of Wonder: Oboe | $4.50 | |
| Wings of Wonder: Bassoon | $4.50 | |
| Wings of Wonder: 1st Clarinet in B-flat | $4.50 | |
| Wings of Wonder: 2nd Clarinet in B-flat | $4.50 | |
| Wings of Wonder: Bass Clarinet in B-flat | $4.50 | |
| Wings of Wonder: Alto Saxophone in E-flat | $4.50 | |
| Wings of Wonder: Tenor Saxophone in B-flat | $4.50 | |
| Wings of Wonder: Baritone Saxophone in E-flat | $4.50 | |
| Wings of Wonder: 1st B-flat Trumpet | $4.50 | |
| Wings of Wonder: 2nd B-flat Trumpet | $4.50 | |
| Wings of Wonder: Horn in F | $4.50 | |
| Wings of Wonder: Trombone/Euphonium B.C.. | $4.50 | |
| Wings of Wonder: Baritone T.C. | $4.50 | |
| Wings of Wonder: Tuba | $4.50 | |
| Wings of Wonder: Timpani | $4.50 | |
| Wings of Wonder: Bells | $4.50 | |
| Wings of Wonder: Vibraphone | $4.50 | |
| Wings of Wonder: 1st Percussion | $4.50 | |
| Wings of Wonder: 2nd Percussion | $4.50 |
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More about this title
About the Composer: Tyler S. Grant

Tyler S. Grant has built a reputation as a composer whose music appears regularly on honor ensemble programs and annual best-of lists across North America and internationally. His works have been premiered at prestigious venues including Carnegie Hall, the Meyerson Symphony Center, and the Midwest Clinic, and his composition Panoramic Fanfare won the Dallas Wind Symphony's 2014 "Call for Fanfares" Competition before gaining frequent performances by collegiate and professional ensembles throughout the continent.
Beyond the page, Grant actively shapes the field through conducting and clinician work with over 100 school programs across more than 15 states, contributions to Alfred Music's pedagogical series, and regular engagement at major conferences and all-state events. A University of Alabama graduate who studied under Randall Coleman, he has channeled mentorship from composer Brian Balmages into a prolific output; since 2010, he has consistently released new compositions and arrangements annually for bands and orchestras across all ability levels.
Why we love this
Grant captures genuine sophistication at Grade 2 without sacrificing accessibility or fun. The orchestration here moves beyond typical early-level writing; you get colorful textures and harmonic interest that reward careful listening while the hummingbird concept gives students a concrete, delightful image to inspire their playing.
What to expect
Bright and buoyant, with the quick-darting energy of wings in motion. The piece balances moments of genuine joy and lightness with passages of sincere musical weight, creating something that feels both playful and purposeful.
Who it's for
Grade 2 concert bands ready to tackle pieces with real musical substance. This works especially well for ensembles that have solid fundamentals but may not yet have explored genuinely colorful orchestration or thematic development.
How to get the most out of it
- Let the opening melody breathe before the activity increases. A slight hesitation at phrase endings makes the contrast with the flurry sections land harder.
- Balance the busy passages carefully; younger players often get loud when they get fast. The sophistication comes through clarity, not volume.
- Emphasize the powerful declarations as deliberate moments of rest. These aren't afterthoughts; they're the emotional counterweight to all that whimsy.
How to use it
Perfect for a spring concert or festival where you want to showcase your band's ability to handle contrasting moods within a single work. At just under three minutes, it pairs efficiently with longer pieces and gives audiences a moment of pure delight without overshadowing more substantial repertoire.
Skills your students will build
- Dynamic contrast between lyrical sections and fast, rhythmically dense passages
- Clarity and precision in rapid articulation without sacrificing musicality
- Responding to changing orchestral colors and section balancing
- Thematic development and how melodies can transform across a composition