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Wind Song: Concert Band Conductor Score

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Wind Song Cover Image

Wind Song: Concert Band Conductor Score

By Robert W. Smith

Grade: 2

Item: 98-RWS171501

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Description
Featuring a melody that is simple, gentle and memorable, WIND SONG is a lyrical work for the developing band by Robert W. Smith. Each section of the band is actively engaged in this warm, artistic musical experience with teaching opportunities throughout. Suitable for both festival and concert performance, Wind Song is simply beautiful.

Original Item#: RWS-1715-01

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Additional Details
Series: RWS - Developing Band
Publisher: RWS Music Company
ISBN10: 1-4706-9858-7
ISBN13: 978-1-4706-9858-4
UPC: 038081614434
SKU: 98-RWS171501

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a defining voice in American concert band and orchestral composition, with more than 400 published works to his credit. His education includes a Bachelor's degree in Music Education from Troy State University and a Master's degree in Music from the University of Miami. His symphonic works, particularly The Divine Comedy and The Odyssey, have resonated with musicians and audiences across North America, Europe, Australia, and Asia.

Beyond the concert hall, Smith's music has reached audiences through diverse platforms: presidential ceremonies in Japan, the Olympic Games, network television broadcasts, and iconic American events from the Macy's Thanksgiving Day Parade to Opening Day at Dodger Stadium. As both conductor and clinician, he has worked extensively throughout the United States, Canada, and internationally, earning recognition for compositions and arrangements that serve developing ensembles and advanced groups alike.

Why we love this

Smith writes with the Grade 2 band's genuine capabilities in mind, creating moments where every section contributes something musical and meaningful rather than merely filling out harmony. The gentle, memorable melody allows your students to experience the satisfaction of playing a work that sounds beautiful without requiring technical fireworks, making it an ideal choice for building confidence and artistic sensibility in young musicians.

What to expect

Wind Song unfolds with genuine warmth and simplicity. The melody is the kind that lingers with listeners long after the final note, supported by graceful harmonic writing that gives every section a voice in the musical narrative rather than relegating anyone to purely accompanying roles. There is an unhurried, artistic quality throughout, inviting your band to play with intention and care.

Who it's for

Grade 2 concert bands preparing for festival or concert performance. This work suits developing musicians who have mastered basic instrument control and are ready to explore lyrical, ensemble-focused music with multiple active parts.

How to get the most out of it

  • Shape the melody with gentle dynamic contours rather than playing it at a consistent level; even in a soft, lyrical piece, the phrase needs subtle peaks and valleys to breathe and connect.
  • Balance the harmonic sections so the melody remains the focal point; this is straightforward scoring that depends entirely on conscious listening and adjustment during rehearsal.
  • Allow space and silence where the music rests; young bands often rush through softer passages, but the warmth of this work emerges when you give each phrase room to settle.
  • Tune carefully in the slower harmonic moments; with lighter textures and fewer notes, intonation issues become immediately audible to both performers and audience.

How to use it

Program this as a centerpiece in a concert devoted to lyrical works, where it can sit comfortably alongside other Grade 2 melodic pieces without overwhelming younger students or underwhelming more advanced groups. It also works exceptionally well as a festival entry, since the emphasis on musical line and balance rewards careful rehearsal and resonates with adjudicators who value artistic growth in developing ensembles.

Skills your students will build

  • Sustaining a lyrical phrase without hurrying or dragging
  • Active listening for balance and blend across the full band
  • Ensemble intonation in slower harmonic progressions
  • Musical independence (playing a supporting line that remains musical, not merely functional)

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