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Whiplash: Jazz Ensemble Conductor Score & Parts

$62.00 USD
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Whiplash: Jazz Ensemble Conductor Score & Parts

By Hank Levy / arr. Erik Morales

Grade: 5 (Advanced / Difficult)

Item: 00-30647

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Don Ellis and Hank Levy. Both are legendary for big band charts in odd meters. Whiplash is a super-exciting chart in 7/4 composed by Levy and arranged by Erik Morales. Don't be intimidated by the meter---after a few minutes it feels quite natural and the students will totally eat it up. The melody is stated by 2nd trumpet and 1st alto with solo space for both with easy chord changes. Articulation is critical and the rhythm section may want to spend some quality time together. Lead trumpet range is to written D above the staff. This is a unique but very desirable chart to have in your library that you won't regret playing. (4:58) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Whiplash: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 82
UPC: 038081341828
SKU: 00-30647

More about this title

About the Composer: Hank Levy

Hank Levy stands among the most respected big band arrangers in jazz history, known for his fearless exploration of odd meters and complex rhythmic structures. His charts for Count Basie, Woody Herman, and others transformed how ensemble jazz could handle metric complexity, proving that intricate time signatures could swing as hard as any 4/4 groove. Levy's compositions and arrangements remain staples in jazz education because they challenge musicians without sacrificing accessibility or excitement.

Why we love this

Whiplash delivers exactly what advanced ensembles crave: a chart that sounds far more complicated than it plays. The 7/4 meter becomes intuitive within minutes, and once your students lock in, they experience genuine confidence navigating a sophisticated time signature. Erik Morales's arrangement keeps the melody front and center while giving soloists meaningful space, making this a performance piece that also functions as a masterclass in odd-meter phrasing.

What to expect

Whiplash propels forward with kinetic energy; the seven-beat pulse feels less like counting and more like breathing once it settles. The melody has a loping, confident quality that sits naturally in the 7/4 pocket, and the solos invite players to explore phrasing that respects the underlying meter while still swinging freely. Rhythmically sophisticated but never precious, this chart captures what makes modern big band arranging so compelling.

Who it's for

Jazz ensembles at the advanced level who are ready to expand beyond standard meters and want to build their odd-time vocabulary with a chart that genuinely swings. This works equally well for competitive festival performance or a concert program that demonstrates your ensemble's sophistication and skill. Directors seeking repertoire that challenges players without becoming a rhythm exercise will find a keeper here.

How to get the most out of it

  • Establish the 7/4 pulse by having the rhythm section internalize the meter before full rehearsal; lock the bass line and drums together first, then gradually add comping piano and guitar.
  • Demand precision in articulation across the ensemble. The rhythmic clarity that makes 7/4 feel natural depends on clean tonguing and consistent attack from the horns.
  • Work the 2nd trumpet and 1st alto melody statement as a unified voice; their phrasing and balance will anchor the chart and help the rest of the ensemble settle into the meter.
  • Schedule dedicated solo preparation time for your featured players so they can fully inhabit the chord changes and find natural phrasing over the 7/4 foundation.

How to use it

Feature this during a jazz festival or concert that celebrates contemporary big band writing, pairing it with standard-meter classics to highlight how your ensemble handles metric variety. Its contest appeal and excitement make it an excellent closer or penultimate selection on a performance set. The 4-minute-58-second duration fits comfortably into festival time windows and leaves audiences wanting more.

Skills your students will build

  • Reading and internalizing 7/4 meter
  • Maintaining ensemble cohesion in odd time signatures
  • Coordinated articulation across the horn section
  • Rhythm section interdependence and communication
  • Solo phrasing over non-traditional time signatures
  • Listening for pulse stability in complex meters

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