Where the Black Hawk Soars Cover Image

Where the Black Hawk Soars: Concert Band Conductor Score

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Where the Black Hawk Soars Cover Image

Where the Black Hawk Soars: Concert Band Conductor Score

By Robert W. Smith

Grade: 3 (Medium Easy)

Item: 00-BD9564C

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Description
After a majestic fanfare, a soaring melodic line appears, reminiscent of the flight of a hawk. With limitless freedom, the winged creature is master of all it surveys. The presence of the wind can be detected throughout as it carries our musical subject to new heights. A major new work by one of our generation's most successful composers. (5:55) This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 28
UPC: 029156174908
SKU: 00-BD9564C

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among America's most performed composers for concert band and orchestra, with over 400 published works to his credit. He earned his Bachelor of Music Education from Troy State University in Alabama and his Master of Music from the University of Miami, establishing a foundation that would shape decades of prolific output distributed primarily through Alfred Music.

Smith's orchestral and band works have circulated globally, with his symphonies The Divine Comedy and The Odyssey performed across North America, Europe, Australia, and Asia. Beyond the concert hall, his music has graced television broadcasts, Olympic ceremonies, the Macy's Thanksgiving Day Parade, and opening events at Dodger Stadium. As a conductor and clinician, he has worked extensively throughout the United States, Canada, and internationally, bringing his compositional voice directly to musicians and audiences worldwide.

Why we love this

Smith's gift for crafting soaring melodic lines that sit naturally in the band idiom makes this work immediately singable for your ensemble, yet the orchestration suggests something larger than the Grade 3 difficulty level alone. The hawk imagery and evocative subtitle give students a genuine narrative to latch onto, transforming what could be a generic fanfare-and-melody structure into something that invites focused, expressive playing.

What to expect

The music captures the weightless, commanding presence of a hawk in flight. After an assertive opening gesture, a broad melody soars across the ensemble with a sense of unhurried power, accompanied throughout by undulating wind textures that evoke the atmosphere itself. The overall impression is one of majesty held in perfect balance with freedom.

Who it's for

Conductors leading concert bands at the Grade 3 level who want a contemporary work with genuine musical substance and accessibility. This score serves ensemble directors seeking to program something beyond inherited classics while maintaining confidence that all sections can execute it successfully.

How to get the most out of it

  • Shape the opening fanfare with clear rhythmic articulation and dynamic contour to establish the majestic character before the hawk's melodic flight enters.
  • Balance the soaring melody against the surrounding wind movement so the principal line cuts through without requiring the accompanimental voices to retreat too far.
  • Conduct the mid-section transitions with fluidity and minimal gesture; let the phrase architecture breathe rather than imposing mechanical tempo changes.
  • Use the 5:55 duration as a guide for overall pacing, ensuring the work doesn't rush the sense of freedom and flight that defines its character.

How to use it

This work functions excellently as a concert opener or centerpiece, providing an immediate statement of confidence and scope without taxing your ensemble's stamina before more complex repertoire. It also pairs naturally with other Smith works or contemporary pieces that explore nature and landscape imagery, creating a thematic concert thread that resonates with audiences.

Skills your students will build

  • Sustaining lyrical phrases with steady support from accompanimental figures
  • Balancing transparent orchestration where every harmonic voice remains audible
  • Responding to subtle dynamic shapes that shape melodic contour rather than rely on sudden changes
  • Understanding how fanfare-based openings transition into more fluid, cantabile material

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