When You're Smilin' Cover Image

When You're Smilin': Choral Octavo SoundTrax CD

$29.99 USD
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When You're Smilin' Cover Image

When You're Smilin': Choral Octavo SoundTrax CD

Words and music by Mark Fisher, Joe Goodwin, and Larry Shay / arr. Kirby Shaw

Item: 00-51142

$29.99
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Description
Performed by singers like Ella Fitzgerald, Duke Ellington, Frank Sinatra, and more, the lighthearted lyrics of this familiar standard remind us that smiling is contagious. With plenty of jazz stylizations built into the melody and a Kirby Shaw scat bridge, this Michael Bublé-inspired treatment would make a memorable finale, encore, or signature song. "When you're smilin', the whole world smiles with you!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081581798
SKU: 00-51142

More about this title

Why we love this

Kirby Shaw's arrangement captures the swagger and warmth of modern jazz standards without losing the song's infectious simplicity. The scat bridge gives your ensemble a chance to shine with rhythmic precision and personality, while the Michael Bublé-inspired treatment feels contemporary enough to land with today's audiences. This works equally well as a concert closer or a signature piece that audiences will leave humming.

What to expect

Optimistic and swinging, with a conversational warmth that makes the audience lean in. The scat bridge introduces playful sophistication, while the overall treatment maintains the song's core message about contagious positivity without ever feeling saccharine.

Who it's for

Choirs seeking a feel-good standard that appeals to audiences of all ages and bridges classical training with contemporary jazz sensibility. This arrangement works for community choirs, school groups, and adult ensembles that want to explore Great American Songbook repertoire with modern flavor.

How to get the most out of it

  • Balance the scat bridge by isolating that section in rehearsal and locking the rhythm before layering in harmonic voices. The rhythmic accuracy here is what sells the style.
  • Let the melody breathe in the opening; resist rushing the familiar phrases. The charm lives in unhurried phrasing that lets the lyrics land.
  • Use the recorded accompaniment to anchor tempo and feel, especially through the jazz articulations and syncopated figures. The SoundTrax CD models the style you're aiming for.
  • Shape dynamics around the emotional arc rather than treating all sections uniformly. The opening feels conversational; the scat bridge energizes; the final statement should feel like a warm invitation.

How to use it

Program this as a finale or encore when you want to send the audience out smiling. It pairs beautifully after more serious or introspective repertoire, offering a tonal and emotional shift that feels intentional rather than arbitrary. The familiarity of the tune also makes it an excellent choice for galas, holiday concerts, or pops-style programs where accessibility matters.

Skills your students will build

  • Jazz articulation and swing rhythm feel
  • Scat singing and rhythmic precision
  • Blend and balance in jazz-inflected harmony
  • Stylistic interpretation beyond classical legit singing
  • Memorization of a standard that supports long-term repertoire knowledge

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