When I Hear the Sounds of Christmas: SSA Choral Octavo
Words by Andy Beck and Brian Fisher, music by Andy Beck
Item: 00-PO-0003602
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More about this title
About the Composer: Brian Fisher

Brian Fisher combines business training with a deep commitment to music education. He earned his undergraduate degree in quantitative business analysis from Penn State University, then pivoted to teaching after working as an auditor. He pursued further study at the State University of New York and has spent decades working as an educator, director, and performer across music and theater.
Fisher's background spans both analytical and artistic disciplines, giving his choral writing clarity and accessibility alongside emotional depth. He currently teaches middle school in North Carolina, where he continues to develop repertoire that connects with student singers.
Why we love this
The unforgettable hook makes this piece stick with singers long after rehearsals end, and the logical voice writing means you'll spend minimal time on technical issues and maximum time building expression. A Christmas ballad this singable and emotionally resonant fills the gap between flashy holiday arrangements and generic filler.
What to expect
There's a warmth here that feels genuine rather than saccharine. The ballad style invites singers to lean into vulnerability and reflect on what the season means to them personally, while the memorable hook gives everyone a moment of musical satisfaction.
Who it's for
This piece works beautifully for treble choirs at the middle school, high school, or community level. The accessible writing and short length (12 pages) make it ideal for singers who want to deliver something emotionally genuine without grappling with complex harmony or extended ranges.
How to get the most out of it
- Shape the text dynamically around the central message. The sentimental arc works best when singers understand why each phrase matters; mark where the text shifts emotional weight and let that guide your dynamic choices.
- If using the recorded accompaniment, rehearse with it early enough that your singers can anticipate where the arrangement breathes and how it frames their lines.
- Balance blend in the SSA texture by having singers find their place within each chord vertically, not just their individual melodic line. Unison moments should feel unified, not thin.
- Let the hook become memorable through repetition in rehearsal, but avoid oversinging it. Freshness matters more than volume for this kind of memorable musical idea.
How to use it
Program this as a centerpiece moment in your holiday concert, particularly if you want to shift the emotional tone midway through. It pairs well alongside both uptempo celebratory selections and other reflective pieces, and its 12-page length fits easily into a balanced concert structure.
Skills your students will build
- Phrasing and text expression in ballad style
- Blend and balance within SSA voicing
- Connecting emotional content to musical choices
- Sustaining legit tone across a sentimental melody