When I Fall in Love Cover Image

When I Fall in Love: Choral Octavo SoundTrax CD

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When I Fall in Love Cover Image

When I Fall in Love: Choral Octavo SoundTrax CD

Words by Edward Heyman, music by Victor Young / arr. Jay Althouse

Item: 00-33062

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Description
Jay offers a fresh, swingin', positive, and happy approach to this popular standard, originally sung by Doris Day in the '50s and later by many other pop and jazz artists. Great for concert, jazz, and show choirs.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081359700
SKU: 00-33062

More about this title

About the Composer: Victor Young

Victor Young (1900-1956) was one of Hollywood's most prolific film composers, crafting memorable scores and songs for movies from the 1930s through the 1950s. His gift for melody and orchestration made him a trusted voice in the studio system, and his work earned him four Academy Award nominations. Young's compositions often balanced sophistication with accessibility, a quality that made his songs endure well beyond their original film contexts.

Why we love this

Jay Althouse's arrangement captures the warmth and swing of the original standard while giving singers genuine rhythmic and harmonic interest. The piece swings naturally without requiring advanced jazz backgrounds, making it accessible for choirs building confidence in contemporary styles. It programs beautifully alongside other mid-century pop standards or as a standalone moment that reminds audiences why this song has stayed in the popular repertoire for seven decades.

What to expect

The piece radiates warmth and optimism, delivered through a gentle swing groove that feels more natural than forced. Singers experience the satisfying ease of a well-crafted melody supported by conversational harmonies and rhythmic clarity. The arrangement settles the listener into a moment of genuine affection expressed with vintage charm and contemporary polish.

Who it's for

Concert choirs seeking repertoire that appeals to general audiences will find this standard a reliable program builder. Jazz and show choirs benefit from a piece that teaches swing phrasing and rhythmic flexibility within a recognizable, singer-friendly framework. Directors programming mixed-voice or SAB ensembles will appreciate an arrangement that balances accessibility with genuine musicality.

How to get the most out of it

  • Build a relaxed, conversational tone in the opening phrases rather than oversinging the melody; the charm lies in understated delivery.
  • Lock the rhythm section with the recorded accompaniment during rehearsals to establish groove and ensure the swing feel settles in naturally.
  • Shape the dynamic arc through the bridge to create lift without losing the intimate character that defines this arrangement.
  • Experiment with the movement and staging options provided to add visual interest without overshadowing the straightforward beauty of the melody.

How to use it

Program this as a palate-cleansing moment between heavier choral works, or pair it with other mid-century standards to create a themed set. It works particularly well in concerts that blend classical, jazz, and pop repertoire, offering audiences a familiar touchstone while showcasing your choir's versatility in contemporary styles. Consider positioning it where a traditional ballad might live, but with the added energy of swing rhythm to maintain momentum.

Skills your students will build

  • swing phrasing and rhythmic interpretation
  • singing style differences between straight eighths and swing eighths
  • maintaining groove while singing in parts
  • blend and balance in a contemporary arrangement
  • interpretive choices within a standard melody

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