What Is This Thing Called Love? Sheet Music Preview

What Is This Thing Called Love?: SATB Choral Octavo

Words and music by Cole Porter / arr. Monica Pabelonio

Item: 00-PO-0005689

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Description
A Cole Porter classic that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement, designed for more advanced ensembles.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0005689

More about this title

About the Composer: Cole Porter

Cole Porter stands among the most sophisticated songwriters of the American musical theater tradition. His melodies are instantly recognizable, yet harmonically complex enough to reward serious musical study, and his lyrics balance wit with emotional depth in ways that have influenced generations of composers.

Porter's catalog defines the Great American Songbook. His songs have transcended their theatrical origins to become jazz standards, covered by virtually every major vocalist of the past century. For music educators, Porter's work offers a masterclass in memorable melody paired with intelligent harmonic language.

Why we love this

Monica Pabelonio's arrangement captures the sophistication that makes this song endure in jazz circles while keeping the four-part writing transparent and singable. Advanced choirs will appreciate how the voicing moves beyond basic SATB conventions without becoming unwieldy, and audiences recognize the tune immediately, making this a program winner that sounds more ambitious than it is to learn.

What to expect

Suave and introspective, with the elegant melancholy that Porter brings to his best ballads. The a cappella texture creates intimacy, allowing the richness of the harmonic language to emerge while the familiar melody keeps everything grounded and warm.

Who it's for

Advanced SATB choirs with solid intonation and the ability to maintain balance without instrumental support. This works equally well for jazz-focused ensembles and traditional choral programs looking to expand their Great American Songbook repertoire.

How to get the most out of it

  • Study the recording history of this standard before rehearsing. Hearing how Billie Holiday phrased the melody or how Ella shaped the ends of phrases will inform your ensemble's interpretation choices.
  • A cappella balance demands disciplined blend in the inner voices. Soprano and alto lines often carry the harmonic color, so resist the urge to let them overpower the tenor and bass foundation.
  • This tune swings. Allow your singers to feel the underlying jazz groove even without accompaniment, especially where the rhythm section would typically lock into a pocket.

How to use it

Pair this with other jazz standards or Great American Songbook selections to build a thematic concert program that explores how these timeless songs live across different vocal styles. It also works beautifully as a contrast piece in a mixed classical-pops concert, giving audiences a moment of sophisticated, swinging respite.

Skills your students will build

  • Singing a cappella with secure intonation across a full range of harmonic movement
  • Balancing multiple melodic and harmonic lines without instrumental reference
  • Interpreting jazz phrasing and rhythmic nuance in an arranged setting
  • Understanding how sophisticated harmony supports and enhances a memorable melody

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