What Is This Thing Called Love? Cover Image

What Is This Thing Called Love?: Jazz Ensemble Conductor Score & Parts

$48.00 USD
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What Is This Thing Called Love? Cover Image

What Is This Thing Called Love?: Jazz Ensemble Conductor Score & Parts

Words and music by Cole Porter / arr. Paul Baker

Grade: 2.5 (Medium Easy)

Item: 00-47025

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Description
A swinger on a great jazz standard. Played around 160 BPM, this chart is packed with solis for all sections, especially saxes. Lead trumpet range is to written G on top of the staff. Then, add suggested written solos for trumpet and tenor and optional parts for flute, clarinet, and vibes, and you have yourself an excellent chart---simple as that.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, What Is This Thing Called Love?: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 102
UPC: 038081539591
SKU: 00-47025

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) created some of the American songbook's most sophisticated melodies and lyrics, with a gift for witty rhyme and harmonic complexity that influenced generations of jazz musicians. His standards became foundational repertoire for jazz arrangers because they offered enough harmonic depth and melodic grace to sustain improvisation without feeling skeletal or overly simple.

Why we love this

Paul Baker's arrangement respects the tune's elegance while building genuine ensemble texture around the solo opportunities. The writing stays accessible at 2.5 level but never sounds thin; the scoring invites your whole section to participate, whether they're supporting a trumpet solo or trading eights with the saxes.

What to expect

Urbane and conversational, with a gentle swing that invites rather than demands. The melody carries Cole Porter's characteristic sophistication, but the arrangement wraps it in an approachable swing context where soloists can stretch without the piece becoming unwieldy.

Who it's for

Jazz ensembles at the early-intermediate level who want a authentic standard with real solo opportunities for developing improvisers. Works equally well for contest preparation or a program that needs a straightforward, audience-friendly swinger.

How to get the most out of it

  • Keep the swing feel loose and conversational at 160 BPM rather than mechanically strict; the melody breathes better when rhythms feel slightly behind the beat.
  • Balance the saxophone soli carefully against the rhythm section so soloists are heard but not separated from the ensemble texture.
  • Use the trumpet's written range to G as a ceiling, not a constant target; most phrases sit lower and give you room to voice the upper harmony without strain.
  • Shape the optional parts (flute, clarinet, vibes) as color layers rather than essential voices; their presence should feel like enhancement, not necessity.

How to use it

Pair this with other Baker arrangements for a cohesive section, or slot it into a mixed jazz concert where you want something polished but not heavy. It works beautifully as a closer on a spring concert because audiences recognize the melody immediately.

Skills your students will build

  • Swing articulation and phrasing in section play
  • Leading and supporting solo features across all instrumental sections
  • Balancing melody awareness with harmonic independence
  • Reading and executing suggested improvisation frameworks
  • Blend and intonation across optional instrumentation

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