What Child is This? (Greensleeves) [orchestration for low voice, E minor] Cover Image

What Child is This? (Greensleeves) [orchestration for low voice, E minor]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

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What Child is This? (Greensleeves) [orchestration for low voice, E minor] Cover Image

What Child is This? (Greensleeves) [orchestration for low voice, E minor]: Low Voice, Orchestra Accompaniment, Conductor Score & Parts

By Traditional/ Folk, ed./arr. by Steven Rosenhaus/ Text by William Chatterton Dix

Item: 36-A837590

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Description
This hauntingly transcendent melody has been orchestrated by Steven Rosenhaus in two versions: low voice and orchestra and high voice and orchestra. Both versions are available from Edwin F. Kalmus. Instrumentation: 2.1.2.2: 2.2.2.0: Timp.Perc(2): Str (9.8.7.6.5 in set): Solo Low Voice.

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Additional Details
Series: Kalmus Christmas Carols for Voice and Orchestra
Publisher: Keiser Productions, Inc.
UPC: 605258764034
SKU: 36-A837590
Instrumentation: 2.1.2.2: 2.2.2.0: Timp.Perc(2): Str (9.8.7.6.5 in set): Solo Low Voice

More about this title

Why we love this

Rosenhaus takes a melody most musicians know only from piano reductions or chamber arrangements and gives it full orchestral weight. The scoring respects the carol's meditative quality while providing lush harmonic support that lets a solo low voice shine without fighting through the ensemble.

What to expect

Ethereal and contemplative, draped in rich string voicings that evoke candlelit spaces and devotional reverence. The minor key deepens the melody's inherent longing while the full orchestra creates an enveloping warmth that transforms a folk tune into something sacred.

Who it's for

Conductors programming full orchestras or large concert ensembles with a capable baritone or bass soloist. This arrangement suits holiday galas, festive concerts, or programming that calls for a familiar carol elevated to concert-hall scope.

How to get the most out of it

  • Balance the solo voice with the full orchestral texture during rehearsals by having the orchestra play at half dynamic for early run-throughs, then gradually restore full volume as the singer gains confidence in the part.
  • Work with your vocalist on phrasing across longer instrumental passages; the orchestra will support sustained lines, so encourage singing through to natural phrase breaks rather than breathing at every rest.
  • Ask your percussionists to listen carefully to the string tremolo patterns that establish the piece's atmosphere; tight coordination between timpani, percussion, and strings creates the haunting quality that defines this arrangement.
  • Conduct with a clear, sustained beat that honors the carol's meditative pace; resist the temptation to rush, and let the full orchestration bloom naturally from the opening measures.

How to use it

Place this in the second half of a holiday concert, perhaps after lighter fare, to provide a moment of genuine stillness and reflection. It pairs beautifully with instrumental carols or other vocal features and works equally well as a closing selection that sends the audience out in a contemplative mood.

Skills your students will build

  • Balancing solo voice against full orchestra
  • Sustaining slow tempos without dragging
  • Coordinating string tremolo with percussion entries
  • Conducting legato accompaniment lines that support rather than overshadow the soloist
  • Ensemble listening across divided string sections and wind voices

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