What Can I Play on Sunday?, Book 5: September & October Services Cover Image

What Can I Play on Sunday?, Book 5: September & October Services: Piano Book

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What Can I Play on Sunday?, Book 5: September & October Services Cover Image

What Can I Play on Sunday?, Book 5: September & October Services: Piano Book

10 Easily Prepared Piano Arrangements

Arranged by Cindy Berry

Level: Late Intermediate

Item: 00-30401

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Description
What Can I Play on Sunday? is a series of six books, each book designed for busy pianists who may have limited rehearsal time. Book 5 includes selections for holidays and holy days that occur during September and October, including World Communion Sunday, Laity Sunday, Reformation Sunday and Communion, as well as several general hymns. Titles: Amazing Grace * Christ Is Made the Sure Foundation * Jesus, Lord, We Look to Thee * Must Jesus Bear the Cross Alone * My Lord, What a Morning * Rejoice, the Lord Is King * Stand Up, Stand Up for Jesus * Take the Name of Jesus with You * There Is a Fountain * 'Tis So Sweet to Trust in Jesus. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, What Can I Play on Sunday?, Book 5: September & October Services: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-5313-2
ISBN13: 978-0-7390-5313-3
UPC: 038081330297
SKU: 00-30401

More about this title

About the Arranger: Cindy Berry

Cindy Berry

Cindy Berry studied at Houston Baptist University and has built a career as both composer and arranger of sacred choral music, children's musicals, and piano collections. She conducts workshops and composer clinics across the country and has received ASCAP Special Awards annually for her contributions to sacred music. Berry serves as pianist and children's choir director at First Baptist Church in Killeen, Texas, where she collaborates with her husband Bruce, a Minister of Music.

As a church musician, Berry understands the practical demands on accompanists in worship settings. Her arrangements reflect her commitment to creating music that serves the spiritual life of congregations while remaining accessible to pianists with varying levels of rehearsal time and preparation.

Why we love this

This collection solves a real scheduling challenge: busy church pianists need repertoire that reads cleanly, sounds complete, and requires minimal preparation. Berry's arrangements of these well-known hymns strike a balance between harmonic richness and manageable technique, making them ideal for pianists who lead worship but don't have hours to practice each week. The seasonal focus means you'll have exactly the right repertoire ready when September and October liturgical observances arrive.

What to expect

These arrangements invite both pianist and congregation into familiar hymn tunes with renewed harmonic interest and accompaniment detail. Each piece respects the spiritual character of the text while offering pianists engaging figuration and voice leading to support rather than overshadow the singing. The overall effect is one of intimate, purposeful worship music.

Who it's for

Church pianists who accompany weekly worship services and need reliable, well-crafted arrangements of beloved hymns. This book suits pianists at the late intermediate level who want musical depth without excessive technical difficulty or lengthy preparation. It's also useful for piano students studying sacred repertoire or preparing for Federation Festivals.

How to get the most out of it

  • Prepare the hymn text alongside the music. Knowing the theology and emotional arc of each hymn informs your phrasing and helps you accompany congregational singing with intentionality.
  • Use the moderate tempos as starting points, not fixed speeds. Adjust each arrangement to match your congregation's familiar hymn tempo and the acoustic of your worship space.
  • Practice hands separately first, paying particular attention to any key or rhythmic changes from the standard hymn tune. These arrangements often add accompaniment interest that differs from traditional four-part versions.
  • Build in time to play through each piece at performance tempo before Sunday. Late Intermediate arrangements reward fluency; confidence in your hands allows you to focus on supporting singers.

How to use it

Use this book as your primary resource for September and October Sunday services, selecting arrangements that match your liturgical calendar and congregation's hymn preferences. The seasonal organization means you can plan your full fall worship music needs ahead of time, reducing week-to-week scrambling. Festival pianists can draw on these arrangements to build a repertoire of sacred pieces suitable for performance and competition.

Skills your students will build

  • Reading and interpreting written harmonic arrangements of familiar melodies
  • Balancing accompaniment texture so the hymn tune remains central
  • Managing left-hand figures that support congregational singing rhythm
  • Adapting tempo and dynamics to serve a singing ensemble rather than leading it
  • Performing sacred music with appropriate reverence and musical sensitivity

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