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(What a) Wonderful World: String Orchestra Conductor Score & Parts

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(What a) Wonderful World Cover Image

(What a) Wonderful World: String Orchestra Conductor Score & Parts

Words and music by Sam Cooke, Herb Alpert, and Lou Adler / arr. Douglas E. Wagner

Grade: 2.5

Item: 00-31527

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Description
Covered by bands of all types, this "wonderful" piece has been arranged perfectly for young players. Audiences of any age will delight in this tune and, most likely, will sing along!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, (What a) Wonderful World: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Beginning String Orchestra
Publisher: Alfred Music
Page Count: 78
UPC: 038081350967
SKU: 00-31527

More about this title

About the Composer: Sam Cooke

Sam Cooke (1931-1964) was an American singer, songwriter, and bandleader whose influence on soul music and popular song remains foundational to music education and performance repertoire. His ability to blend accessible melodies with meaningful lyrics established him as one of the most covered songwriters in history, making his compositions ideal for young musicians learning to connect with authentic popular music.

Why we love this

Douglas E. Wagner's arrangement captures the warmth and optimism of this beloved standard without sacrificing musical substance. Grade 2.5 strings can deliver a genuinely moving performance that resonates with audiences of all ages, and the accessibility means your ensemble will sound confident from early rehearsals onward. It's a piece that reminds everyone why we play music together.

What to expect

Warm, optimistic, and genuinely soulful. The arrangement lets the beauty of the melody breathe while keeping technical demands reasonable, creating an experience where students hear themselves making something truly musical rather than just playing the notes.

Who it's for

Young string orchestras at the intermediate level will find an arrangement that respects both their developing technique and their musicality. This works equally well for school orchestras building concert programming and for ensembles looking to engage audiences with music they know and love.

How to get the most out of it

  • Shape the melody with clear phrase direction rather than playing it straight; the tune's simplicity invites expressive phrasing that brings out its emotional core.
  • Balance the accompaniment voices so the primary melodic line always projects without requiring excessive volume; this arrangement works when texture supports rather than competes.
  • Allow some freedom in the opening statement of the melody to establish the song's character before settling into ensemble precision.
  • Encourage the ensemble to listen across sections; younger string players often benefit from hearing how their part supports the overall harmonic movement.

How to use it

This fits naturally into spring concerts, graduation events, or pops programs where you want to bridge classical and popular idioms. It also works as a refreshing closer to a concert of more traditional repertoire, leaving audiences smiling on their way out.

Skills your students will build

  • Phrasing and musical shaping of simple melodies
  • Balance between melody and harmonic accompaniment
  • Connecting with accessible, culturally significant music
  • Playing with expressive intent while maintaining ensemble precision

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