Wenceslas March: Concert Band Conductor Score & Parts
Arranged by Brian Bankston
Grade: 1.5
Item: 98-PK-RWS1903
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Wenceslas March: Score | $8.00 | |
| Wenceslas March: 1st Flute | $3.99 | |
| Wenceslas March: Oboe | $3.99 | |
| Wenceslas March: 1st B-flat Clarinet | $3.99 | |
| Wenceslas March: B-flat Bass Clarinet | $3.99 | |
| Wenceslas March: Bassoon | $3.99 | |
| Wenceslas March: 1st E-flat Alto Saxophone | $3.99 | |
| Wenceslas March: B-flat Tenor Saxophone | $3.99 | |
| Wenceslas March: E-flat Baritone Saxophone | $3.99 | |
| Wenceslas March: 1st B-flat Trumpet | $3.99 | |
| Wenceslas March: 1st F Horn | $3.99 | |
| Wenceslas March: 1st Trombone | $3.99 | |
| Wenceslas March: Baritone B.C. | $3.99 | |
| Wenceslas March: Baritone T.C. | $3.99 | |
| Wenceslas March: Tuba | $3.99 | |
| Wenceslas March: 1st Mallet Percussion | $3.99 | |
| Wenceslas March: 1st Percussion | $3.99 | |
| Wenceslas March: 2nd Percussion | $3.99 |
Parts Added to Cart!
Description
Original Item#: RWS-1903-00
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More about this title
About the Arranger: Brian Bankston
Brian Bankston brings a pragmatic approach to beginning band arranging, understanding exactly what young musicians need to succeed. His work in the RWS series demonstrates a gift for choosing repertoire that resonates with students while respecting the technical realities of early ensembles.
Why we love this
Bankston's approach respects the melody that students know while giving them manageable ranges and uncomplicated parts. The march style framework teaches form and style conventions without overwhelming young players, making it genuinely instructional rather than just festive window dressing.
What to expect
Stately and warm, like a procession in candlelight. The march rhythm gives it forward momentum and dignity, transforming a carol into something ceremonial that feels both familiar and freshly arranged.
Who it's for
First-year and developing concert bands ready to explore beyond simple unison arrangements. This works for groups with players of mixed experience on their instruments, since the ranges keep everyone accessible to the music.
How to get the most out of it
- Establish a steady quarter-note pulse in rehearsal before layering parts; young musicians often rush marches out of enthusiasm.
- Balance the melody across sections rather than letting the highest voices dominate; the limited ranges mean no single part should overshadow the others.
- Use the harmonic simplicity to focus on tone production and blend; this is an ideal piece for teaching how individual voices support a unified sound.
How to use it
Open a holiday concert with this to set a reflective tone before moving to livelier seasonal selections. It also serves well as the opener to a full band concert in early winter, grounding the program with something recognizable before introducing newer works.
Skills your students will build
- March style conventions and phrasing
- Reading and executing limited ranges across multiple parts
- Ensemble balance with simple harmonic textures
- Maintaining steady tempo through repeated phrases