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Wedding Dance: Concert Band Conductor Score

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Wedding Dance: Concert Band Conductor Score

By Jacques Press / arr. Herbert N. Johnston, Frederick Fennell

Grade: 3

Item: 36-10105373

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Description
Jacques Press spent many of his years in Hollywood, mainly scoring music for the motion picture industry.  A fine pianist, he also composed Disconcerto for piano.  This transcription of Wedding Dance from the Symphonic Suite "Hasseneh" (The Wedding) was completed by Herbert N. Johnston and edited by Frederick Fennell.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891962-2
ISBN13: 978-1-57-891962-8
UPC: 679360604212
SKU: 36-10105373
Instrumentation: Concert Band

More about this title

About the Composer: Jacques Press

Jacques Press built his reputation as a composer and pianist during Hollywood's golden age, when the film industry demanded composers who could write idiomatically for orchestra and band alike. His work in motion pictures shaped his approach to orchestration and dramatic pacing, qualities evident in his concert works like the Disconcerto for piano.

Why we love this

Wedding Dance captures genuine melodic warmth without requiring elaborate technique from your ensemble. Frederick Fennell's editing (a name synonymous with band repertoire standards) ensures the orchestration serves the music rather than obscuring it, making this an ideal choice when you want your students playing something substantive at Grade 3 that still sounds polished and intentional.

What to expect

Wedding Dance evokes celebration without sentimentality. The piece unfolds with the elegance of a processional, built on a graceful melodic line that listeners recognize immediately as a real tune. There's pageantry here, but also genuine lyricism.

Who it's for

This is for directors programming their first concert-quality piece at the Grade 3 level, or looking to showcase what a solid intermediate ensemble can do. It works equally well for students who need accessible but musically legitimate repertoire and for programs seeking a contrasting slow-to-moderate movement in a mixed concert.

How to get the most out of it

  • Shape the primary melody with the same care you'd apply to a solo line; the strength of Press's writing depends on singers carrying the phrase, not just executing notes.
  • Balance the accompaniment layers so that harmonic color supports rather than overwhelms the tune. Grade 3 ensembles often play everything equally loudly.
  • Use the recorded accompaniment as a reference for tempo and character, but build your own interpretation based on what your band can execute cleanly.

How to use it

Open a concert with this piece to establish musicality and warmth, or place it as a lighter contrast after something rhythmically driven. The Grade 3 accessibility means you can rely on it for consistent execution, freeing mental energy for better overall program pacing.

Skills your students will build

  • Sustaining long melodic phrases without losing shape or pitch center
  • Balancing primary and secondary voice layers in a full ensemble
  • Responding to conducting gesture and musical phrasing at moderate tempos
  • Reading and executing the concert band score in a work with clear formal structure

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