We Three Kings: SATB Choral Octavo
We Three Kings: SATB Choral Octavo
We Three Kings Sheet Music Preview

We Three Kings: SATB Choral Octavo

Arr. Jay Althouse

Item: 00-PO-0001301
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$1.80

Minimum order quantity: 20 copies

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Description
A rich accompaniment and fresh-sounding harmonies drive this powerful arrangement to a dramatic and majestic finish. A holiday highlight for school and church.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001301

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His professional experience includes eight years as a rights and licenses administrator for a major educational music publisher, during which he served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed throughout the English-speaking world and maintains membership in ASCAP, where he is a regular recipient of the Special Award for composition.

Beyond composition, Althouse has shaped music education through diverse contributions. He has co-written children's musicals with his wife Sally K. Albrecht, compiled respected vocal solo collections, and authored influential classroom resources including The Complete Choral Warm-up Book and Accent on Composers. His choral composition "I Hear America Singing," written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. He serves on the National Advisory Board of the Folk Art Society of America and has contributed articles to the society's quarterly publication.

Why we love this

Althouse's arrangement strikes an uncommon balance between accessibility and genuine artistry. The fresh harmonic language lifts this familiar carol beyond stock treatments while remaining singable for typical school and church choirs, and the carefully crafted accompaniment provides both support and dramatic color that elevates the piece to something genuinely memorable.

What to expect

This arrangement feels majestic without sounding overwrought. The harmonies are rich enough to command attention, yet the piece never loses sight of the carol's inherent dignity and reverence. You move toward a powerful finish that feels earned rather than imposed.

Who it's for

School choirs and church ensembles with solid four-part singers who want a Christmas piece that moves beyond standard treatments. It works for programs ranging from church services to holiday concerts, provided your singers have some experience with part independence.

How to get the most out of it

  • Build the dynamics gradually across the arrangement to reach full power at the finish. The written arc matters; resisting the urge to sing forte throughout the opening keeps the climax meaningful.
  • Balance the parts so the harmonic texture stays clear rather than muddy. The rich chords only work when listeners can hear how they layer together.
  • Work the recorded accompaniment into rehearsals early. It establishes the harmonic color and tempo, allowing singers to lock in the intended sound from the start.

How to use it

Place this as a centerpiece of your holiday concert, either as a standalone statement or paired with contrasting carols of lighter character. It also serves well in church Christmas services where you want a single number that carries weight and musicality. The 12-page score suggests rehearsal time in the 4-6 week range, making it suitable for mid-autumn planning.

Skills your students will build

  • Singing in rich, contemporary harmonies that extend beyond basic triads
  • Maintaining part independence within a full choral texture
  • Shaping dynamics across a complete arrangement to support structural growth
  • Balancing blend and clarity in SATB writing

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