We Are the Music-Makers Sheet Music Preview

We Are the Music-Makers: SATB Choral Octavo

Words by Arthur William Edgar O'Shaughnessy, music and additional words by Andy Beck

Item: 00-PO-0003185

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$1.90

Minimum order quantity: 20 copies

Description
Bookended by a majestic choral fanfare, this contemporary work is a vivid realization of O'Shaughnessy's famous poem. A dynamic piano accompaniment fully supports the soaring melodies and rich harmonies. Brilliant as a concert opener or festival selection.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0003185

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 choral works now in active use by singers across the globe. His pedagogical resources, including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique, have shaped how many choirs approach musicianship and vocal development.

Beyond his work at Alfred, Beck maintains an active presence as a guest conductor, adjudicator, and clinician for music educators nationwide. He holds degrees in Music Education from both Ithaca College and Northwest Missouri State University, sings tenor in the North Carolina Master Chorale Chamber Choir, and brings his commitment to choral artistry and music literacy to every commission and conductorial engagement.

Why we love this

Beck's setting transforms O'Shaughnessy's poem into a concert statement that feels both contemporary and timeless. The flanking fanfare gestures give this piece immediate presence and purpose, making it an excellent opener that commands attention without overshadowing what follows in your program.

What to expect

Majestic opening gives way to soaring, heartfelt melody supported by warm harmonies. The piece carries dignity and aspiration, anchored by Beck's responsive piano writing that propels the voices forward without demanding virtuosic agility.

Who it's for

High school and college choirs seeking contemporary repertoire with substance and accessibility. Directors who program festival and concert selections will find this a secure choice for choirs with solid fundamentals and willingness to engage with lush four-part writing.

How to get the most out of it

  • Balance the piano accompaniment to enhance rather than cover the choral lines; the "dynamic" support Beck provides works best when it lives underneath the voices, not alongside them.
  • Shape the soaring melodies with consistent breath support and line continuity; resist the urge to break phrases at every punctuation mark.
  • Approach the opening and closing fanfare sections with unified articulation and crisp rhythmic clarity to establish the piece's architectural frame.
  • Let the rich harmonies speak through careful voicing balance; give yourself rehearsal time to lock the inner voices before focusing on the soprano line.

How to use it

Program this as a concert opener to establish artistic intention and capture immediate listener engagement. Its contemporary character and festival-ready polish also make it strong for competitive performance contexts or paired with contrasting works to demonstrate your choir's range.

Skills your students will build

  • Singing sustained, connected phrasing across larger melodic arcs
  • Balancing individual voice parts within four-part harmonic texture
  • Responding to responsive piano accompaniment without rushing or lagging
  • Interpreting and executing dynamic contrast in fanfare-style sections

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