Warlock: Flexible Band/String Ensemble Score & Parts

$50.00 USD

Warlock: Flexible Band/String Ensemble Score & Parts

Name: Warlock: Flexible Band/String Ensemble Score & Parts
Brand: Alfred Music
SKU: 81-FB22027
Price: 50.00 USD
Availability: InStock

By Kevin Kaisershot

Grade: 1.5

Item: 81-FB22027

$50.00

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Eighth Note Publications Flexible Band/String Series provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass, or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation.

A warlock is a male who practices witchcraft. This little tonal caricature by Kevin Kaisershot seeks to musically portray this enigmatic character in a somewhat less than frightening way. The tritone and its usage in the Middle Ages was forbidden, but today has become more associated with its rather "devious" sound and pops up every so often in music of that nature. The opening is that of the shroud of mystery surrounding the character. The main body of the piece is the swirling cone of energy that the character possesses, and the waltz section is a dance related section containing a bit of devious comic relief.

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Series: Eighth Note Publications Flexible Band Series

Publisher: Eighth Note Publications

SKU: 81-FB22027

More about this title

Why we love this

Kaisershot captures something genuinely fun here: a piece that takes the tritone's "devious" reputation seriously without ever becoming heavy-handed. The structure unfolds with real purpose, moving from mysterious opening into energetic swirling motion before landing on a waltz with genuine comic timing. For directors working with flexible instrumentation, this is rare because it actually sounds composed for those combinations rather than retrofitted.

What to expect

Mystery gives way to playful chaos. The tritone casts its historical shadow across the opening moments, then the piece throws off restraint into a swirling, kinetic energy that feels almost mischievous. A waltz emerges from that turbulence, dancing with a knowing wink.

Who it's for

Ensembles juggling incomplete instrumentation or mixed instrument groupings will find a piece that actually works within those constraints. Music camps, festival seasons, and flexible lesson structures benefit from a title that sounds intentional at 5 players or 15.

How to get the most out of it

Establish the tritone's unsettling quality in the opening section by letting it breathe; resist rushing into the main energy.
Shape the swirling cone section with clear articulation choices that distinguish between woodwinds and brass/strings to maximize the harmonic movement.
Approach the waltz with lightness and clarity; the devious comic relief lands only if the ensemble commits to a dancing character rather than playing it straight.

How to use it

Consider pairing this on a concert that leans toward lighter or thematic programming; it's substantial enough to anchor a set but brief enough to support rather than dominate. Festival season is ideal, where you might program it among other flexible-instrumentation works to showcase what your ensemble can do despite instrumentation limitations.