Warlock Cover Image

Warlock: Brass Quintet Score & Parts

$15.00 USD
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Warlock Cover Image

Warlock: Brass Quintet Score & Parts

By Kevin Kaisershot

Level: Easy-Medium

Item: 81-BQ221529

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Description
A warlock is a male who practices witchcraft. This little tonal caricature seeks to musically portray this enigmatic character in a somewhat less than frightening way. The tri-tone and its usage in the Middle Ages was forbidden, but today has become more associated with its rather "devious" sound and pops up every so often in music of that nature. The opening is that of the shroud of mystery surrounding the character. The main body of the piece is the swirling cone of energy that the character possesses and the waltz section is a dance related section containing a bit of devious comic relief. Arranged by Kevin Kaisershot for brass quintet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-808-4
ISBN13: 978-1-77157-808-0
UPC: 685462028092
SKU: 81-BQ221529
Instrumentation: Brass Quintet

More about this title

Why we love this

Kaisershot's approach to program music lands with humor and musicality rather than heavy-handedness. The piece gives your quintet a chance to explore harmonic color (especially that tri-tone) in a context that feels deliberately theatrical without demanding advanced technique, making it a genuine crowd-pleaser at any concert.

What to expect

The piece unfolds like a short story. It opens in shadows, builds into a spiraling frenzy of activity, and lands with a wink in the waltz. The tri-tone gives the whole thing an edge of playfulness rather than true menace, making it feel like a musical joke between friends.

Who it's for

Brass quintets looking for accessible concert repertoire with personality and narrative arc. This works equally well for intermediate high school groups and community ensembles who want something engaging beyond standard classical fare.

How to get the most out of it

  • Lean into the mystery of the opening section by shaping the tri-tone intervals deliberately. Intonation matters here; these intervals should feel slightly unsettling but precise.
  • The waltz section reads as comic relief, so bring clarity to the rhythmic articulation and don't shy away from the character of those "devious" moments.
  • Balance the brass voices carefully during the swirling middle section so listeners can follow the energy without losing the line. No one player should dominate.

How to use it

Program this as a palette-cleanser between heavier classical works or pair it with other character pieces for a thematic concert. Its easy-medium difficulty makes it suitable for spring concerts or community performances where you want something memorable that doesn't require months of rehearsal.

Skills your students will build

  • Intonation of tri-tone intervals and chromatic harmony
  • Rhythmic precision in fast ensemble passages
  • Musical characterization and interpretive phrasing
  • Balance and blend in tutti brass writing

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