Waltz Cover Image

Waltz: Intermediate Piano Sheet

$4.95 USD
Sale price  $4.95 USD Regular price 
Skip to product information
Waltz Cover Image

Waltz: Intermediate Piano Sheet

By Charles Gounod / arr. Kevin Olson

Item: 98-E1104

$4.95
Shipped

One moment…

Description
Charles Gounod’s 19th-century opera Faust had one super hit, the Waltz from the second act, also known as Ainsi que la brise légère. Three players on one piano join forces in this brilliant arrangement, where each pianist gets a chance to shine.

Waltz: Intermediate Piano Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: The FJH Piano Ensemble Series
Publisher: The FJH Music Company, Inc.
UPC: 241444364642
SKU: 98-E1104

More about this title

About the Composer: Charles Gounod

Charles Gounod (1818, 1893) shaped 19th-century French opera through his gift for soaring melody and orchestral color. His Faust remains one of the most frequently performed operas worldwide, sustained largely by the enduring popularity of its waltz, a movement that audiences have cherished for nearly 175 years.

Why we love this

This arrangement captures what made the original waltz a crowd favorite without requiring a full orchestra. The FJH Piano Ensemble Series manages the technical demands thoughtfully, giving three pianists genuinely interesting material rather than relegating anyone to an accompaniment role.

What to expect

Elegance and warmth define this waltz. The melody floats above supportive harmonies with the kind of 19th-century grace that rewards careful phrasing, inviting performers and audiences alike into a moment of genuine lyricism.

Who it's for

Teachers seeking accessible ensemble repertoire for advancing pianists who enjoy the spotlight. This works equally well for recital programs, chamber music courses, or ensemble days where three solo pianists want to collaborate on familiar material.

How to get the most out of it

  • Balance the lyrical melody across all three players rather than letting it settle entirely in one pair of hands. This keeps listeners aware of the ensemble interaction.
  • Coordinate your tempo with rehearsal. Even small inconsistencies in a three-person arrangement become audible, so establish a steady pulse early.
  • Blend the waltz character with precise articulation in the inner voices. The music breathes most naturally when accompaniment figures stay rhythmically clean and light.
  • Work the pedal changes deliberately at key phrase endings to avoid muddying the harmonic clarity that Gounod's writing depends on.

How to use it

Feature this on a piano recital or spring concert as a finale that engages the audience through familiarity and charm. It also serves well in a chamber music showcase where you want to highlight collaboration without demanding extensive rehearsal time.

Skills your students will build

  • Balancing melody and accompaniment in a three-voice texture
  • Coordinating ensemble timing and pedal changes across multiple performers
  • Interpreting 19th-century phrasing and rubato appropriate to Romantic opera
  • Reading and executing clear dynamic shapes within a waltz idiom

You May Also Like