Wake Me Up Before You Go-Go: SATB Choral Octavo
Words and music by George Michael / arr. Kirby Shaw
Item: 00-PO-0006102
Minimum order quantity: 20 copies
One moment…
Related Items
Wake Me Up Before You Go-Go: SoundTrax Digital Audio Download |
$27.99
|
View | |
Wake Me Up Before You Go-Go: SAB Choral Octavo |
$2.10
|
View | |
Wake Me Up Before You Go-Go: SSA Choral Octavo |
$2.10
|
View | |
Wake Me Up Before You Go-Go: Choral SoundPax |
$30.00
|
View | |
Wake Me Up Before You Go-Go: SATB Choral Octavo |
$2.10
|
View | |
Wake Me Up Before You Go-Go: SAB Choral Octavo |
$2.10
|
View | |
Wake Me Up Before You Go-Go: SSA Choral Octavo |
$2.10
|
View | |
Wake Me Up Before You Go-Go: Choral SoundTrax CD |
$27.99
|
View | |
Wake Me Up Before You Go-Go: Choral SoundPax |
$30.00
|
View |
Description
Wake Me Up Before You Go-Go: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: George Michael
George Michael emerged as one of the defining pop voices of the 1980s, first as part of Wham! and later as a solo artist. His gift for crafting infectious melodies and sophisticated pop arrangements made him a cultural force whose influence extends far beyond the charts into how modern songwriting approaches vocal harmony and groove.
Why we love this
Kirby Shaw's arrangement captures the infectious energy of the original without losing sight of what makes it singable in four parts. The writing stays true to the song's rhythmic DNA while giving each voice line something engaging to do, making this one of those rare pop arrangements that sounds both authentic and choir-friendly.
What to expect
Pure 1980s joy distilled into four-part harmony. The arrangement pulses with finger-snapping energy and relies on rhythmic precision to create that signature groove, while the vocal lines sit comfortably in a range that lets singers deliver with confidence and style.
Who it's for
Directors building a pop or contemporary concert, or those looking for a high-energy crowd-pleaser that works equally well in show choir or traditional ensemble settings. High school and college choirs will connect immediately with the song's ubiquity and infectious spirit.
How to get the most out of it
- Keep the rhythmic drive tight. The syncopation in this tune lives in the interaction between voices, so lock the pulse early and resist the urge to slow down during ensemble passages.
- Lean into the playfulness. This song invites personality; encourage singers to articulate consonants crisply and let the joy come through in their phrasing.
- Balance the soprano and alto lines carefully during the main hook sections. Both parts carry memorable material, and they need to sit at different dynamic levels depending on the phrase.
- Use the recorded accompaniment to establish the groove in rehearsals, then pull it back in final performances to let your choir's energy shine through.
How to use it
A natural bridge between classical or traditional concert repertoire and contemporary pop, this works particularly well as a set closer or concert highlight that reminds audiences why they love singing. Pair it with other '80s pop standards for a themed concert, or use it standalone as your program's moment of pure entertainment.
Skills your students will build
- Rhythmic precision in syncopated pop idioms
- Balancing multiple melodic lines within an ensemble texture
- Sustaining groove and pulse through repeated harmonic patterns
- Articulation and rhythmic clarity in pop voicings
- Singing contemporary secular repertoire with stylistic authenticity