Wake Me Up Before You Go-Go Cover Image

Wake Me Up Before You Go-Go: Choral SoundPax

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Wake Me Up Before You Go-Go Cover Image

Wake Me Up Before You Go-Go: Choral SoundPax

Words and music by George Michael / arr. Kirby Shaw

Item: 00-47743

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Description
Who can forget this #1 hit by the British duo Wham! Kirby's choral adaptation gets right in the groove of the finger-snapping piece of pop perfection. For even more fun, add the optional SoundPax or SoundTrax CD, 1980s costumes, and some show choir choreography. “Jitterbug!”

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081544366
SKU: 00-47743

More about this title

About the Composer: George Michael

George Michael (1963-2016) was a British singer-songwriter and one half of the duo Wham!, which dominated the pop charts throughout the 1980s. His gift for crafting infectious pop melodies with sophisticated harmonies made him one of the decade's defining artists. Michael's work continues to resonate in choral settings because his songs balance accessibility with genuine harmonic and rhythmic complexity, giving singers room to explore both energy and musicality.

Why we love this

Kirby Shaw's arrangement captures the irresistible rhythmic drive and call-and-response energy of the original without oversimplifying the harmonic language. This is a piece that gets genuine enthusiasm from singers because they recognize the song and feel the groove immediately, but they're also engaged by the arrangement's musical substance. Programming this means you get a crowd-pleasing moment that doesn't compromise on choral craftsmanship.

What to expect

Bright, buoyant, and built on infectious rhythmic momentum. The arrangement has that 1980s pop sparkle while maintaining genuine harmonic movement beneath the surface, so singers feel both the immediate joy of the song and the satisfaction of navigating its musical details.

Who it's for

Show choirs and pop choral ensembles who want a genuine hit song with strong audience recognition. Directors looking to program an energetic moment that works equally well with recorded accompaniment or live instrumental parts will find this accessible without being simple.

How to get the most out of it

  • Lock the rhythmic precision early. The finger-snapping pulse and syncopated hits are what make this arrangement pop; even small timing variations will loosen the groove.
  • Layer the dynamics intentionally. The recorded accompaniment carries a lot of energy, so find moments where your voices step back and moments where they drive forward to create shape and prevent the performance from feeling one-dimensional.
  • Keep the articulation light and bouncy on repeated syllables. This isn't a heavy piece of choral writing, so crisp consonants and forward vowels will serve the style better than a classical legit sound.
  • Rehearse the optional choreography alongside the music from the start. Movement and sound need to develop together so singers aren't thinking about steps while trying to maintain their parts.

How to use it

This works as a high-energy opening number or a second-act pick-me-up in a pop/show choir concert. The combination of recorded accompaniment and optional choreography makes it equally effective as a standalone feature or as part of a larger medley or thematic set about 1980s pop culture.

Skills your students will build

  • Rhythmic precision in syncopated pop contexts
  • Layering harmonies over a strong rhythmic groove
  • Call-and-response phrasing and section interaction
  • Coordinating singing with optional choreography
  • Maintaining vocal clarity while managing articulation in a high-energy arrangement

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