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Vocalise: String Orchestra Conductor Score & Parts

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Vocalise: String Orchestra Conductor Score & Parts

From Fourteen Songs, Opus 34, No. 14

By Sergei Rachmaninoff / arr. Douglas E. Wagner

Grade: 3.5

Item: 00-43781

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Description
The calming strains of this incredibly beautiful music have been thoughtfully and carefully scored in this string arrangement. The composer's full orchestration has been pared down to its basic elements, leaving a work that will captivate and entrance your audiences. Not only for concert programming, this work also makes a superb choice in your contest program. (6:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Vocalise: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Concert String Orchestra
Publisher: Alfred Music
Page Count: 130
UPC: 038081504926
SKU: 00-43781

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873–1943) was a Russian composer and pianist whose lush harmonic language and sweeping melodic gifts shaped early twentieth-century concert music. His works demand both technical command and deep expressive maturity from performers; audiences respond to the emotional immediacy and structural clarity that define his best-known compositions. Vocalise stands among his most performed pieces, originally written for solo voice and later adapted across ensembles because its arch of sustained beauty translates powerfully to any instrumentation.

Rachmaninoff's influence on string writing is profound. His understanding of the medium's capacity for legit singing tone and his ability to sustain emotion across long phrases without dramatic punctuation make his works ideal vehicles for developing ensemble cohesion and lyrical control in young orchestras.

Why we love this

Wagner's reduction captures the essence of Rachmaninoff's original without overwhelming a young string section. The Grade 3.5 scoring preserves the work's emotional depth while making it accessible, giving directors a genuinely great piece that sounds polished and mature without requiring advanced technical facility. This is the rare arrangement that plays beautifully for audiences who know the original and feels completely earned by students learning it.

What to expect

A sustained meditation in beauty and calm. Vocalise unfolds with the inevitability of a complete thought, its arching melody supported by warm harmonies that invite the listener into a state of quiet reflection. The work never rushes; its power emerges from patience and the accumulation of pure, singing tone across the ensemble.

Who it's for

String orchestras at the middle-advanced level seeking a work that communicates immediately to audiences while building musicianship in ensemble blend and sustained legit playing. Conductors programming concert and festival performances will value a piece that carries Rachmaninoff's prestige without excessive technical demands.

How to get the most out of it

  • Establish a consistent warm tone from the opening notes; the entire piece lives or dies by the quality of the string sound, so spend rehearsal time on uniform bow pressure and vibrato across all sections.
  • Shape the long melodic lines as you would a vocalist's phrase, allowing subtle breathing points without stopping the harmonic momentum.
  • Balance the inner voices carefully during tuttis so the accompaniment supports rather than obscures the main voice, especially when violas or lower strings carry material.
  • Take advantage of the 6:15 length to explore a gradual arrival at the climax; resist rushing the opening and middle sections so the peak feels earned.

How to use it

Vocalise functions as an excellent concert opener or centerpiece, offering sophisticated programming that appeals equally to knowledgeable listeners and new audience members. In a festival setting, it showcases the orchestra's tonal control and maturity; pair it with a contemporary work or lighter fare to balance the program's emotional arc.

Skills your students will build

  • Sustaining long, lyrical phrases with consistent vibrato and tone quality
  • Balancing melody and accompaniment in tuttis without sectional dominance
  • Listening across the ensemble to achieve unified bow changes and phrase shaping
  • Reading and playing a work from the Romantic repertoire with stylistic awareness
  • Managing dynamic shape over extended passages without harmonic or rhythmic disruption

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