Various Themes on "Fa-La-La" Cover Image

Various Themes on "Fa-La-La": Choral Octavo SoundTrax CD

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Various Themes on "Fa-La-La" Cover Image

Various Themes on "Fa-La-La": Choral Octavo SoundTrax CD

Arr. Chuck Bridwell

Item: 00-28540

$27.99
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Description
A classical setting of "Deck the Hall" develops into a humorous collection of "Fa-La-La" variations. Includes musical moments from William Tell Overture, Beethoven's Fifth Symphony, "The Blue Danube," and Tchaikovsky's 1812 Overture. Sure to be the most clever and creative piece on your holiday program!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081310848
SKU: 00-28540

More about this title

About the Arranger: Chuck Bridwell

Chuck Bridwell

Chuck Bridwell has shaped church music programs across the South for decades, serving as Minister of Music at Columbus Avenue Baptist Church in Waco, Texas since 1999. Under his leadership, the music ministry grew to encompass nine choirs, a full orchestra, and numerous vocal, handbell, and instrumental ensembles representing over 600 musicians. He earned a Bachelor of Music from Oklahoma Baptist University and a Master of Church Music from Southwestern Baptist Theological Seminary.

Bridwell's influence extends throughout Baptist music circles, where he has held leadership roles in regional and national organizations. Currently an adjunct instructor in church music at Baylor University, he also advises the Center for Christian Music Studies there. His background conducting ensembles across Kentucky, Oklahoma, and Florida gives him deep insight into what works in rehearsal and what resonates with audiences.

Why we love this

This arrangement transforms a familiar carol into something unexpectedly sophisticated, weaving in unmistakable quotes from classical blockbusters without losing the joy or accessibility that makes a piece singable by real choirs. The humor lands because it's musically clever rather than condescending, and audiences get the delight of recognizing each new quotation. It's the kind of showstopper that sends people home smiling while your singers feel genuinely proud of what they've accomplished.

What to expect

Sophisticated fun. The piece begins in familiar, gentle territory before gradually introducing musical winks that escalate from sly to unapologetic. By the time Tchaikovsky's cannon fire arrives, your audience is in on the joke and your singers are in full command of a genuinely witty musical statement.

Who it's for

Choirs seeking a holiday piece that entertains without sacrificing musicality. This works beautifully for groups with solid sight-reading skills and enough confidence to commit to the comedic timing embedded in the score. College, high school, and community choirs all find success here.

How to get the most out of it

  • Bring out the classical references clearly in your rehearsals so singers understand what they're quoting. When the William Tell gallop kicks in or Beethoven's Fifth arrives, singers who know the source material will perform with infectious energy and comic timing.
  • Balance the novelty with genuine musicianship. The humor works because the voicing is solid and the execution is clean, not because you're winking at the audience.
  • Use the recorded accompaniment to lock in entrances and rhythmic precision, especially during the faster quotation sections where clarity matters as much as style.
  • Shape each thematic section distinctly so the journey from 'Deck the Hall' into the variations feels like discoveries rather than a medley.

How to use it

Program this near the end of a holiday concert where the energy can build into something celebratory and unexpected. Pair it with more traditional seasonal selections earlier in your concert to highlight how versatile holiday music can be. It's an ideal closing number that leaves audiences talking about your choir's musical intelligence and sense of humor.

Skills your students will build

  • Recognizing and executing classical allusions within choral writing
  • Maintaining phrasing and musicality while managing tempo and key changes
  • Balancing ensemble blend during rapid thematic transitions
  • Building comedic timing through musical precision

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