Valley of the Moon Sheet Music Preview

Valley of the Moon: Concert Band Conductor Score & Parts

By Michael Story

Grade: 0.5 (Very Easy)

Item: 00-PK-0007619

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Description
Argentina's unique geological formation, Valle de la Luna, has constant winds that create surreal sounds through the rocks. In this piece, players demonstrate that sound effect, which serves as an excellent breath control exercise. A musical journey for your very first performance! (2:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Valley of the Moon: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Very Beginning Band
Publisher: Alfred Music
Page Count: 136
SKU: 00-PK-0007619

More about this title

About the Composer: Michael Story

Michael Story is a prolific composer and arranger whose catalog spans concert band, wind ensemble, orchestra, and choral ensembles. His work is distinguished by clear orchestration, accessible writing that respects young musicians' abilities, and a gift for crafting memorable melodies that engage both players and audiences. Story's compositions appear frequently on festival and contest schedules, and his arrangements of popular music have become staples in school band programs across the country.

Why we love this

Valley of the Moon gives your newest band players a genuine programmatic experience without overwhelming them. The wind effect device is both musically effective and pedagogically clever, building breath control naturally as part of the storytelling rather than through isolated exercises. At less than two minutes, it's the perfect length for a first performance: substantial enough to feel like a real concert piece, short enough to hold focus and momentum.

What to expect

An evocative soundscape emerges from the rocks of Argentina's otherworldly valley. Swirling wind patterns move through the ensemble while a gentle melody takes flight above, creating a sense of wonder and discovery. The effect is cinematic and atmospheric, yet approachable and grounded in fundamentals every young musician can execute.

Who it's for

Conductors launching their very first concert band ensemble will find this piece ideal for debut performances. The Grade 0.5 level ensures no player feels outmatched, while the programmatic concept gives students something tangible to imagine and communicate musically. It works equally well for a full first concert or as a confidence builder on a program with slightly more advanced pieces.

How to get the most out of it

  • Shape the wind sounds as a textural backdrop rather than rhythmic precision. Younger players often tighten up here; remind them the effect comes from sustained air flow, not perfect synchronization.
  • Balance the melodic material against the wind texture. The main tune will emerge more clearly if the effect stays quietly in the background.
  • Use the sustained tones in the wind effect as an opportunity to address breath support and long-tone quality without making it feel remedial.

How to use it

Open a concert or festival performance with this piece to set an imaginative tone and settle your newest musicians into the experience. Its brevity and programmatic hook make it an excellent pairing with a more substantial work later on the program, or use it as a standalone opener that builds audience goodwill for what follows. The wind effect also works as a memorable closer on a shorter program designed for young ensembles.

Skills your students will build

  • Breath control and sustained air flow
  • Balance between textural and melodic writing
  • Ensemble blend and unified articulation in effect passages
  • Responding to programmatic imagery in music
  • Maintaining focus and intonation through longer sustained tones

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