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Uptown Strut: Concert Band Conductor Score

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Uptown Strut: Concert Band Conductor Score

By Robert Sheldon

Level:.5

Item: 98-B1552S

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Description
Using no eighth notes in the winds, this relaxed work reflects a light-hearted stroll through the big city. An air of calm, cool confidence sets the mood as people dress to impress and hit the streets. Brief musical “conversations” are interjected as they meet others on their walk around town in this easy-to-play, yet tuneful offering.

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444505144
SKU: 98-B1552S

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon stands among the most frequently programmed composers writing for wind band today. His works appear on state solo and ensemble contest lists, international concert programs, and honor band repertoire lists across North America and beyond. Sheldon has earned recognition from the American School Band Directors Association, Phi Beta Mu, and ASCAP for his contributions to the field. He also serves as lead author of Sound Innovations for Concert Band, a comprehensive instructional series.

As a clinician and guest conductor, Sheldon regularly works with All-State and Regional Honor Bands throughout the United States and internationally, including appearances in Japan, Canada, Italy, Germany, Australia, and China. He has conducted his own compositions at Carnegie Hall, Orchestra Hall in Chicago, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center. VanderCook College of Music awarded him an honorary doctorate in 2020. Sheldon continues to accept commissions and produces numerous publications for concert band annually.

Why we love this

This piece delivers exactly what a Grade 0.5 conductor score should: sophisticated compositional voice paired with immediate playability. The restriction of no eighth notes in the winds keeps the ensemble grounded rhythmically while allowing the melodic material to shine, making it ideal for groups just beginning concert repertoire. The programmatic concept of an urban stroll gives students a vivid dramatic lens without requiring technical pyrotechnics.

What to expect

Picture a confident walk down a city street on a pleasant day. The absence of rushing eighth notes in the winds creates an unhurried, groovy quality that feels almost cinematic. Light-hearted and urbane, the piece evokes style and calm poise rather than frenetic energy, with moments of musical interaction that suggest the spontaneous meetings of everyday city life.

Who it's for

This conductor score is written for band directors working with beginning to early-intermediate concert ensembles. It suits programs introducing students to tuneful, character-driven repertoire that doesn't demand advanced technical facility. Directors seeking accessible music with genuine melodic substance will find a strong fit here.

How to get the most out of it

  • Maintain the relaxed groove by keeping the tempo steady and avoiding the urge to rush; the work's charm lies in its unhurried confidence rather than energy
  • Shape the brief musical conversations between sections as if different characters are greeting one another on the street, giving each exchange clarity and personality
  • Balance the melody across the band so that listeners hear a complete musical line even as it passes between different instrumental families

How to use it

Program this as an opener or closer on a concert built around novelty works and accessible literature. It pairs well with other tuneful Sheldon compositions at similar or slightly more advanced levels, creating a compelling sample of his voice for audiences new to his work. The piece also works effectively as a confidence builder early in the school year when ensembles need engaging material that rewards quick progress.

Skills your students will build

  • Maintaining steady tempo and groove without relying on fast-note values
  • Balancing melodic lines across different sections of the band
  • Responding to musical cues and conversation between instrumental families
  • Playing with stylistic awareness and character (confidence, cool poise)

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