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Uptown Funk: String Orchestra Conductor Score

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Uptown Funk Cover Image

Uptown Funk: String Orchestra Conductor Score

As Performed by Bruno Mars

Words and music by Bruno Mars, Jeff Bhasker, Philip Lawrence, Devon Gallaspy, Mark Ronson, Nicholaus Williams, Lonnie Simmons, Ronnie Wilson, Charles Wilson, Rudolph Taylor, and Robert Wilson / arr. Dean Marshall and Bob Phillips

Grade: 3

Item: 00-44860S

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Description
One of the biggest hits of 2015 and the winner of the GRAMMY® Award for Record of the Year in 2016, this funky melody will be a blast! Enjoy the infectious groove of the original tune as covered by Barrage 8.

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Additional Details
Series: Pop Concert String Orchestra
Publisher: Alfred Music
Page Count: 20
UPC: 038081521954
SKU: 00-44860S

More about this title

About the Composer: Bruno Mars

Bruno Mars emerged as one of the defining pop artists of the 2010s, known for his ability to channel classic funk, soul, and R&B while crafting immediate, radio-friendly hooks. His songwriting and production work across multiple genres demonstrates a deep understanding of what makes music move audiences, and he has collaborated with some of the industry's most respected producers and musicians to create contemporary hits with timeless appeal.

Why we love this

This arrangement brings one of the most recognizable pop-funk anthems of the decade within reach of developing string orchestras, and students will recognize it instantly. The groove is infectious without requiring advanced technical facility, making it a genuine crowd-pleaser that motivates young musicians to lock in rhythmically and play with style and precision. Programming a tune this current and joyful builds student enthusiasm for concert season.

What to expect

Infectious funk energy wrapped in a pop-rock groove; the kind of tune that makes audiences snap their fingers and move in their seats. Stylish, contemporary, and driven by rhythm rather than virtuosity, this arrangement invites string players to inhabit a sound that feels modern and alive while remaining entirely within their technical reach.

Who it's for

String orchestra directors at the Grade 3 level who want a modern, high-energy piece that excites young musicians and connects with audiences immediately. This works equally well for student orchestras looking to program contemporary pop-rock alongside classical repertoire, and for directors seeking a fun, accessible finale or featured piece for a spring or end-of-year concert.

How to get the most out of it

  • Lock the rhythm section early and often in rehearsal. Even eighth-note precision matters enormously in funk; sloppy rhythmic execution kills the groove entirely.
  • Keep the tempo steady and avoid dragging into the slower sections. The accompaniment parts drive this piece, so your string players need to understand they are the engine behind the melody.
  • Work for clean articulation in staccato passages across all sections. Funk demands that players speak clearly without swallowing the notes.
  • Balance the melody generously so the main theme cuts through; too many accompaniment layers at full volume will bury what audiences came to hear.

How to use it

Use this as a spring concert showstopper or final-act energy lift; audiences know and love this tune, so it generates genuine excitement. It pairs well after a classical piece, creating dramatic programming contrast, or anchor a themed pop-rock set alongside other contemporary arrangements. The approachable grade level means you can rehearse it efficiently without sacrificing other classical repertoire preparation.

Skills your students will build

  • Funk and pop-rock stylistic elements including syncopation and groove-based playing
  • Rhythmic precision and ensemble lock in accompaniment parts
  • Clean articulation and separation in staccato passages
  • Dynamic balance between melody and harmonic accompaniment
  • Reading and executing contemporary arrangement idioms for strings

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