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Uplifted Voices: SSA, <i>a cappella</i> Choral Book

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Uplifted Voices: SSA, a cappella Choral Book

By Emilie Zumsteeg, Fanny Hensel, Pauline Viardot Garcia, Laura Netzel, Elfrida Andrée / arr. Elsa Stenhammar / By Agnes Tyrrell, Agathe Backer Grøndahl, Eva Dell'Acqua, Louise Adolpha Le Beau, Helena Munktell, Catharina van Rennes, Cécile Chaminade, Ethe

Item: 98-EP20042

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Description
Uplifted Voices celebrates the diversity and richness of choral music with an engaging selection of works for SSA/SSAA by renowned women composers of many nationalities spanning the last three centuries. Alongside well-known pieces, the collection presents numerous previously unpublished works by historical composers such as Elfrida Andrée, Louise Adolpha Le Beau, and Florence Price, complemented by selected pieces from contemporary composers including Vivienne Olive and Marie-Claire Saindon. Short biographies of all composers are included, and all song texts are provided with translations into both English and German. Elegantly curated and highly practical, the volume offers upper-voice choirs easy-to-sing and rewarding repertoire. The edition was produced in collaboration with Archiv Frau und Musik.

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Additional Details
Publisher: Edition Peters
ISBN10: 0-577-02589-9
ISBN13: 979-0-577-02589-6
UPC: 9790577025896
SKU: 98-EP20042

More about this title

About the Composer: Emilie Zumsteeg

Emilie Zumsteeg (1796, 1857) was a German composer and pianist active in Stuttgart during a period when women's musical contributions were rarely documented or preserved. She wrote primarily for voice and piano, with a particular gift for song composition that reflected the Romantic sensibilities of her era. Her work exemplifies the sophisticated musical thinking of early 19th-century women composers whose pieces were often performed in salon settings but rarely published, making her inclusion in this collection an important recovery of overlooked repertoire.

Why we love this

This collection transcends the typical choral anthology by centering women's voices across three centuries of compositional history. You'll find carefully edited scores alongside newly accessible works that were lost to time, all paired with translations that make rehearsal and performance genuinely practical. The curatorial vision here reflects serious scholarship without sacrificing singability or musical reward.

What to expect

Opening this book feels like stepping into a carefully curated gallery where each piece demands attention on its own terms. From the intimate elegance of Romantic-era salon songs to the bold modern textures of contemporary works, the collection spans emotional and stylistic territory that rewards both singers and listeners with genuine discovery.

Who it's for

SSA and SSAA choirs seeking authentic, historically grounded repertoire that moves beyond canonical male composers. This collection serves choirs committed to representation in their programming and students who benefit from learning choral literature through the actual voices and visions of women who shaped it.

How to get the most out of it

  • Balance the blend across parts by listening carefully during warm-ups; since many pieces are unfamiliar, establishing unified vowels early prevents the sopranos and altos from sounding disconnected.
  • Study the composer bios provided in the collection before rehearsals begin. Singers who understand the historical context and the significance of hearing these voices sing with deeper intention.
  • Work through the German and English text translations together as an ensemble. Understanding both languages enriches interpretation and helps singers commit the words with genuine meaning.
  • Approach the previously unpublished works with particular care to phrasing and breath placement. These pieces may lack familiar conventions, so collaborative ensemble decisions about musical architecture matter more than ever.

How to use it

Feature this repertoire in a concert celebrating women composers, or weave selections throughout the season to diversify your choral canon. The variety in difficulty and style makes it ideal for building a balanced program, and the historical range allows you to program works from different centuries together or separate them across multiple concerts.

Skills your students will build

  • Reading and interpreting unfamiliar musical styles and harmonic languages across three centuries
  • Singing in multiple languages with accurate pronunciation and musicality (German and English)
  • Understanding women's contributions to choral composition and music history
  • Ensemble blend and intonation in a cappella singing
  • Connecting textual meaning to musical expression through translation study

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