Up-Grade! Flute, Grades 2-3 Cover Image

Up-Grade! Flute, Grades 2-3: Flute Book

$13.99 USD
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Up-Grade! Flute, Grades 2-3 Cover Image

Up-Grade! Flute, Grades 2-3: Flute Book

Light Relief Between Grades

By Pam Wedgwood

Level: Late Elementary

Item: 12-0571518370

$13.99
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Description
This book is is perfect for those who are looking for something to bridge the gap between exams.
Pam Wedgwood's inimitable style is guaranteed to breathe new life into your cello playing - the varied pieces in this bright new collection range from toe-tapping jazzy numbers to more classical styles, all designed to ease you gently on towards the next grade.
So lighten up and move on with Up-Grade!

Up-Grade! Flute, Grades 2-3: Flute Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Faber Edition: Up-Grade! Series
Publisher: Faber Music
Page Count: 16
ISBN10: 0-571-51837-0
ISBN13: 978-0-571-51837-1
UPC: 9780571518371
SKU: 12-0571518370

More about this title

About the Composer: Pam Wedgwood

Pam Wedgwood is a British composer and arranger whose work spans educational music, jazz, and contemporary classical idioms. Her compositions for young musicians are known for their accessibility without condescension, blending recognizable musical styles with genuine compositional craft. Wedgwood has built a substantial catalog of graded repertoire for wind and string players, establishing herself as a trusted voice in music education through publications with major educational publishers.

Her teaching background informs every note she writes for students. Wedgwood understands the motivations of young musicians and the pedagogical priorities of their teachers, crafting pieces that reward careful practice while remaining genuinely enjoyable to perform and hear.

Why we love this

Wedgwood's collection refuses to patronize. Each piece lands as actual music rather than exercise material, which means students stay engaged and teachers don't cringe during rehearsals. The stylistic variety keeps players curious about what comes next, and the writing sits perfectly for flutists navigating the late elementary range without technical frustration.

What to expect

The book moves between sunlit classical moments and upbeat jazz-influenced grooves, each piece feeling purposeful and complete rather than like a stepping stone. The writing sparkles with Wedgwood's characteristic clarity and humor, inviting players to inhabit different musical worlds without leaving the late elementary range.

Who it's for

Flute players solidly placed in grades 2-3 who want engaging repertoire that bridges toward the next level without overwhelming. Teachers seeking collection material that balances technical work with genuine musicianship and maintains student interest through stylistic variety.

How to get the most out of it

  • Pay close attention to articulation markings, especially in the jazzy pieces where crisp tonguing often distinguishes the character. Wedgwood's style points depend on rhythmic precision.
  • Shape phrases with intentional dynamic shaping rather than playing evenly. The classical pieces especially reward listening for where the melodic line wants to breathe and swell.
  • Explore the accompaniment or ensemble parts if available. Understanding what's happening harmonically underneath your melody line deepens your interpretation and intonation.
  • Approach tempo markings as suggestions for the style, not rigid metronomic targets. The jazzy numbers benefit from a relaxed groove; the classical selections need expressive flexibility.

How to use it

Draw individual pieces for recitals or student performance opportunities rather than programming the entire collection at once. Use selections alongside graded solo and ensemble repertoire to build confidence in students preparing for their next exam or assessment.

Skills your students will build

  • Articulation control across jazz and classical idioms
  • Dynamic shaping and phrase contour within the late elementary range
  • Reading and performing across multiple musical styles
  • Rhythmic accuracy in syncopated and straight-meter passages
  • Musical interpretation beyond basic note-reading

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