Under the Greenwood Tree Sheet Music Preview

Under the Greenwood Tree: SATB Choral Octavo

Words by William Shakespeare, music by Ruth Morris Gray

Item: 00-PO-0006329

Digital Download
$2.05

Minimum order quantity: 20 copies

Description
Here's an accompanied contemporary madrigal with a lighthearted lilt, guaranteed to bring a smile. This sprightly setting capitalizes on the energy of Shakespeare's witty words from As You Like It. Repeated phrases and rhythmic motives are fun from start to finish. Optional cue notes add an upper harmony on the final refrain.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006329

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray has directed choirs at Rosemead High School in California since 2004, where she also teaches piano. Her catalog includes over 100 published choral works that span styles from classical to contemporary madrigals.

Gray holds a Bachelor of Music in Piano Performance and Composition from Biola University and earned her Master of Arts in Music Composition from the University of California, Santa Barbara. She completed her California Single Subject Music Credential at California State University, Northridge. Beyond the rehearsal room, she performs as a pianist and composer, and spends her time traveling, swimming, reading, and cycling with her husband.

Why we love this

Gray's setting captures the mischievous spirit of Shakespeare without demanding serious dramatic weight from your singers. The repeated phrases and rhythmic motives create instant memorability while the lighthearted madrigal style gives your concert a refreshing tonal palette, especially alongside weightier repertoire.

What to expect

Sunlight filtering through leaves, witty banter between friends, and the energy of outdoor celebration. Gray's setting bounces with rhythmic vitality while the text's playful wordplay keeps singers engaged and audiences grinning.

Who it's for

SATB choirs seeking a charming, accessible work that doesn't sacrifice musical substance. The straightforward vocal writing and contemporary madrigal style suit developing and intermediate ensembles equally well.

How to get the most out of it

  • Shape the repeated phrases with subtle dynamic and articulation shifts so they feel playful rather than mechanical. Small changes in vowel resonance or consonant clarity refresh familiar material.
  • Balance the accompanied texture so Shakespeare's text remains the focal point. The accompaniment should sparkle without overwhelming the voices.
  • Use the optional cue notes on the final refrain to reinforce ensemble confidence and add textural warmth without requiring additional singers.

How to use it

This works beautifully as a palate cleanser between heavier works or as a closing number that sends the audience out smiling. Its Shakespearean roots also pair naturally with thematic programming around literature or Renaissance texts.

Skills your students will build

  • Executing repeated rhythmic motives with musical shape and variation
  • Balancing voices in accompanied SATB texture
  • Singing with energy and articulation in a madrigal style
  • Interpreting Renaissance text with clarity and character

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