Two Pieces

$5.95 USD

Two Pieces

Name: Two Pieces
Brand: Alfred Music
SKU: 36-M111691
Price: 5.95 USD
Availability: InStock

By Edward Elgar

Item: 36-M111691

$5.95

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This collection of TWO PIECES for cello includes the following: 1. Romance, Op. 62 (originally written for bassoon in 1910); 2. Chanson de Nuit, Op. 15, No. 1 (originally written for violin in 1889-1890). Reprint edition.

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Series: Master String Series - LudwigMasters

Publisher: Keiser Productions, Inc.

ISBN10: 1-62-876922-X

ISBN13: 978-1-62-876922-7

UPC: 660355173509

SKU: 36-M111691

Instrumentation: Violoncello and Piano

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857, 1934) stands as one of Britain's most significant composers, known for his gift for sweeping melodic lines and orchestral color. His chamber works and transcriptions reveal a composer equally comfortable in intimate settings, crafting pieces that balance emotional depth with elegant simplicity. Elgar's prolific output across genres makes him a foundational figure in any serious music curriculum.

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Why we love this

These transcriptions give cellists access to two Elgar gems without requiring orchestral backup. The Romance arrives as a graceful gift from the bassoon repertoire, while Chanson de Nuit trades its original violin brightness for the cello's natural warmth, creating an entirely fresh reading of a beloved miniature. Both work beautifully on recital programs and demand enough musicianship to keep advancing students engaged.

What to expect

These are songs without words. The Romance opens with nostalgic warmth and introspection, unfolding with the unhurried grace of a Victorian drawing room. Chanson de Nuit feels more intimate still, a nocturne-like meditation that glows in the cello's middle register, inviting both player and listener to settle into something quiet and deeply felt.

Who it's for

Intermediate to advanced cellists building a recital repertoire or exploring the British Romantic tradition. Teachers seeking shorter works that showcase musicianship without excessive technical demands will find these pieces reliable classroom and performance vehicles.

How to get the most out of it

Shape the Romance's long lines with subtle vibrato changes rather than dynamic extremes; Elgar's phrasing often benefits from tonal coloring over loud-soft contrasts.
In Chanson de Nuit, resist the urge to rush the lyrical passages. The piece sits comfortably in the middle register and rewards unhurried phrasing.
Coordinate carefully with your pianist on the accompanimental figures in both pieces; the relationship between solo line and harmony is delicate.

How to use it

Pair either piece with other late 19th-century salon works for a themed chamber recital, or slot the Romance into a program of transcribed wind music to show the cello's unexpected range of repertoire. Both work as elegant opening pieces for student recitals or as encores that leave audiences with a lingering musical thought.