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Two-Gether We Sing: Folk Songs: Choral CD Kit

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Two-Gether We Sing: Folk Songs Cover Image

Two-Gether We Sing: Folk Songs: Choral CD Kit

10 Fantastic Arrangements for 2-Part Voices

Arr. Sally K. Albrecht, Jay Althouse, Lois Brownsey and Marti Lunn Lantz, Mary Donnelly and George L. O. Strid, Brian Lewis, Dave and Jean Perry, and Sonja Poorman, orch. Tim Hayden

Grade: 2--7

Item: 00-38002

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Description
Two-Gether We Sing: Folk Songs offers 10 fantastic beginning 2-part selections for year-round use. These winning arrangements feature timeless folk melodies (from seven countries) with strong, independent counterlines, great for young and developing choirs. It's the perfect way to introduce your groups to reading and performing 2-part choral music. Products available: Teacher's Handbook (includes Reproducibles), Enhanced CD (Accompaniment/Performance tracks plus reproducible PDF files of Student Pages & Cover Art), or price-saving Book & CD Kit. Try putting together a program grouping of several of these songs. Sing one, sing two, sing a few! 100% reproducible. Grades 2--7.

Titles: A La Puerta del Cielo * Come and Dance with Me * Folow the Drinking Gourd * Funiculi, Funicula * Hashivenu * Japanese Snow Song * Kokoleoko * Liza and Polly * Mama Don't Allow * Michael Finnigin.

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Additional Details
Series: Two-Gether We Sing
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-8843-2
ISBN13: 978-0-7390-8843-2
UPC: 038081424743
SKU: 00-38002

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has spent her career making choral music accessible and engaging for young singers. A conductor, clinician, and prolific arranger, she has published over 600 choral works and 75 larger collections, earning ASCAP Special Music Award recognition annually since 1987. She has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent more than 30 years directing choral and vocal publications for major educational music publishers, most recently Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received Distinguished Alumna Awards from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She is based in Wake Forest, North Carolina.

Why we love this

This kit delivers exactly what beginning choral directors need: 10 distinctive folk arrangements that don't feel like filler or oversimplified versions of 'real' music. Each piece includes genuine counterlines that give students something interesting to hold, which means they're engaged in learning part-singing rather than enduring it. The geographic and stylistic variety makes it easy to build a complete program or seasonal concert from one source.

What to expect

These arrangements carry the warmth and authenticity of traditional melodies while remaining fresh and singable. The strong counterlines create honest polyphony that younger singers can grasp and take ownership of, without the weight of complex harmony or density.

Who it's for

Beginning and developing middle school choirs, as well as upper elementary groups ready for 2-part singing. This collection works equally well for general music classes, school assemblies, and young singers working in small ensemble settings where exposure to folk music from multiple traditions matters.

How to get the most out of it

  • Balance the two parts by having students listen closely to the accompaniment track during rehearsal; this helps them hear their line in relation to the other voice part and the harmonic context.
  • Encourage singers to think about the cultural origin of each folk melody and how that might shape phrasing and tone color, rather than treating all 10 pieces with the same approach.
  • Use the performance tracks to expose students to the full arrangement before diving into notation; hearing the piece whole builds confidence and clarifies the musical goal.
  • Teach one piece thoroughly before moving to the next rather than jumping around; this gives your singers a template for how to approach 2-part reading that transfers to subsequent selections.

How to use it

Build a thematic concert by selecting three or four pieces that share a region or mood rather than performing all 10 at once. The folk song collection works beautifully as the core of a winter or spring concert, or as seasonal programming that allows you to feature different selections year to year. Consider pairing individual selections with instrumental ensembles or soloists for variety in a mixed concert.

Skills your students will build

  • Reading and performing in 2-part treble or mixed voicing
  • Sustaining an independent melodic line while hearing a contrasting part
  • Interpreting folk melodies from diverse cultural traditions
  • Following a recorded accompaniment while maintaining ensemble accuracy
  • Building confidence in part-singing before tackling three- or four-part repertoire

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