Two Episodes from Lenau's "Faust"' Cover Image

Two Episodes from Lenau's "Faust"': Piano (Solo)

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Two Episodes from Lenau's "Faust"' Cover Image

Two Episodes from Lenau's "Faust"': Piano (Solo)

By Franz Liszt / ed. Leslie Howard

Item: 98-EP7987

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Description
Two Episodes from Lenau's Faust: The Procession by Night and The Dance in the Village Inn: First Mephisto Waltz, transcribed for piano solo by Franz Liszt. Critical edition by Leslie Howard including a preface detailing the history, sources used, editor's notes; and Lenau's original texts.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-708642-1
ISBN13: 979-0-5770-8642-2
SKU: 98-EP7987

More about this title

About the Composer: Franz Liszt

Franz Liszt (1811, 1886) was a Hungarian virtuoso pianist and composer whose technical innovations and dramatic sensibility transformed the instrument's possibilities. His transcriptions of orchestral and operatic works were not mere arrangements but reimaginings that showcased the piano's capacity for orchestral color, requiring performers to command both architectural clarity and explosive virtuosity.

Why we love this

Liszt's Mephisto Waltz occupies a rare space: it's a concert piece with genuine dramatic teeth and literary depth, not a parlor piece. The Critical Edition by Leslie Howard removes guesswork from source interpretation and provides the Lenau texts that anchor the music's narrative arc, making this both a pianistic and intellectual challenge worth programming.

What to expect

A collision between the sacred and the profane. The first episode unfolds like a procession through shadow and candlelight, austere and measured. Then the waltz erupts with demonic energy, all swirling temptation and dark humor, before subsiding back into the night.

Who it's for

Pianists with secure command of Romantic-era technique and the stamina for sustained virtuosity will find genuine artistic substance here. This suits advanced students and professionals seeking a piece that demands both physical facility and dramaturgical maturity.

How to get the most out of it

  • Balance the grotesque waltz rhythms against moments of lyrical interruption; the contrast between village merriment and demonic intrusion drives the whole piece.
  • Engage with Leslie Howard's editorial notes to understand which sources Liszt consulted; this critical apparatus will clarify interpretive choices in ambiguous passages.
  • Treat the cascading passagework as part of the storytelling, not as mere display; these figures should feel inevitable within the drama rather than grafted on.
  • Let the opening Procession by Night establish a deliberate, almost liturgical character; it sets essential mood before the waltz's seductive energy takes over.

How to use it

This works best on a recital program where it can command full attention as a dramatic centerpiece, ideally flanked by music of different emotional temperature. Pair it with Classical-era sonatas or introspective Romantic works to showcase the full range of Liszt's imagination.

Skills your students will build

  • Pedal control across rapid harmonic shifts and textural changes
  • Executing ornamental passagework while maintaining clarity in polyphonic layers
  • Reading critical editorial apparatus and making informed interpretive choices from variant sources
  • Sustaining character and narrative arc across a multi-section structure
  • Balancing lyrical melody against complex accompaniment figuration in Romantic orchestral transcription style

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