Two Christmas Nights Cover Image

Two Christmas Nights: Concert Band Conductor Score & Parts

$45.00 USD
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Two Christmas Nights Cover Image

Two Christmas Nights: Concert Band Conductor Score & Parts

By Sir Arthur Sullivan & Richard Storrs Willis, arr. Clarence E. Barber

Grade: 2

Item: 36-50130002

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Description
This beautiful, reflective piece features two settings of "It Came Upon the Midnight Clear," now arranged for bands of limited instrumentation. Playable with as few as five winds and percussion, this work is ideal for rebuilding programs and young bands.

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Additional Details
Series: LudwigMasters Holiday Music for Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156630-7
ISBN13: 978-1-62-156630-4
UPC: 660355005619
SKU: 36-50130002
Instrumentation: Flexible Instrumentation

More about this title

About the Composer: Arthur Sullivan

Arthur Sullivan (1842-1900) stands as one of the most prolific and versatile composers in the history of English music. Best known for his operettas created in partnership with librettist W.S. Gilbert, Sullivan was equally accomplished in sacred music, orchestral works, and songs. His gift for melody and harmonic sophistication made him a natural bridge between popular entertainment and serious musical craft, a balance that served him across genres throughout his career.

Sullivan's compositional fluency extended to hymn tunes and devotional music, which remain in regular use in churches and schools. His ability to craft memorable, accessible melodies without sacrificing musical depth has made his works enduring staples of music education, particularly arrangements designed to serve ensembles of varying ability levels.

Why we love this

This arrangement solves a real scheduling challenge: you get two distinct musical settings of a beloved carol, either of which can stand alone or both can be programmed in sequence, giving you programming flexibility without doubling your rehearsal load. The flexible instrumentation means you're not locked into a specific lineup, so whether you have ten players or twenty, the piece remains musically coherent and balanced. For conductors rebuilding programs or managing sparse instrumentation, this Grade 2 setting delivers genuine musical substance rather than a watered-down compromise.

What to expect

Quiet, reverent, and introspective. The piece honors the carol's meditative opening verse while the two arrangements offer contrasting emotional colors, from serene to gently fuller textures. There's a restraint and clarity throughout that suits winter concert programming and reminds audiences why this melody has persisted for over 150 years.

Who it's for

Conductors of young bands, rebuilding programs, and ensembles with limited instrumentation will find this especially valuable. The Grade 2 level and flexible scoring make it accessible for middle school bands and community groups working with small rosters, while the musical content appeals to advanced elementary ensembles as well.

How to get the most out of it

  • Balance the melody across your available instruments rather than concentrating all of it in one section; doubling the tune across woodwinds and brass creates warmth without muddiness
  • Let the reflective character breathe; resist rushing tempos in quieter passages, as the piece's beauty depends on clear phrasing and space between phrases
  • Test both settings in rehearsal before choosing which to perform, or consider programming them back-to-back to showcase how the same tune speaks differently through varying harmonic and textural choices

How to use it

Program both settings as a standalone choral moment within a larger concert, or select one as a reflective centerpiece between more energetic holiday fare. The piece works particularly well as part of a winter or December concert that mixes sacred and secular holiday material, and its modest instrumentation needs make it reliable programming regardless of absences.

Skills your students will build

  • Balancing melody and accompaniment across flexible instrumentation
  • Sustaining lyrical phrasing across longer melodic lines
  • Reading parts written for diverse instrument combinations
  • Understanding how harmonic context and arrangement shape the emotional character of a familiar tune

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