Two Christmas Chorales Cover Image

Two Christmas Chorales

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Two Christmas Chorales Cover Image

Two Christmas Chorales

By Philipp Nicolai & J.S. Bach, arr. Gene Milford

Grade: 2

Item: 36-50105159

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Description
Nicolai composed two hymns that are so beloved that they are known as the King and Queen of Chorales: Wachet auf, ruft uns die Stimme (Awake, the Voice Is Calling Us) and Wie schoen leuchtet der Morgenstern (How Beautiful the Morning Star). Using harmonizations by Johann Sebastian Bach, Gene Milford has crafted a superlative concert and teaching piece for players of all ages.

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Additional Details
Series: LudwigMasters Holiday Music for Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361435-2
ISBN13: 978-1-63-361435-2
UPC: 660355105777
SKU: 36-50105159
Instrumentation: Concert Band

More about this title

About the Composer: Philipp Nicolai

Philipp Nicolai (1556-1608) was a German Lutheran pastor and theologian whose hymn texts became cornerstones of the Protestant church service. Working during the Reformation, he composed melodies for his own devotional poetry, creating works that have endured for over four centuries. His two most famous hymns, Wachet auf and Wie schoen leuchtet der Morgenstern, reflect the spiritual intensity and lyrical beauty of his era and remain central to Christmas and Advent worship.

Nicolai's gift lay in crafting melodies that were both singable for congregations and rich enough to inspire elaborate musical settings. Johann Sebastian Bach recognized their power and harmonized both chorales in his cantatas and chorale settings, cementing their place in the Western musical canon. For modern band programs, Nicolai's melodies offer a direct connection to centuries of musical tradition.

Why we love this

These arrangements deliver two of the most musically substantial and emotionally resonant hymn melodies available at Grade 2, supported by Bach's own harmonizations. A band can program this confidently knowing the musical pedigree is unquestionable and the reverent character will resonate with audiences of any age or background. The accessibility of the writing means your ensemble will sound mature and thoughtful without requiring virtuosic technique.

What to expect

Serene and contemplative, with the warmth of centuries-old melodies grounded in Bach's elegant harmonic language. These chorales invite listeners into a space of quiet reflection; the writing breathes with the unhurried confidence of music created for congregational singing and enduring worship.

Who it's for

Concert bands at the Grade 2 level who want repertoire that sounds mature and meaningful without technical complications. This works for school bands, community ensembles, and any group seeking holiday programming that moves beyond novelty arrangements and centers on genuine musical substance.

How to get the most out of it

  • Balance the melody line clearly between sections so the chorale shape and phrase contour remain audible throughout; this is not a piece that benefits from heavy tutti textures.
  • Allow time for the harmonies to settle and speak; resist rushing through sustained chords, as the counterpoint in Bach's settings reveals itself when given space.
  • Shape phrases with gentle dynamic contours rather than rigid uniformity; these hymn melodies were written to be sung, so approach them with vocal phrasing in mind.
  • Mark the harmonic arrival points and cadences in rehearsal so players understand where the architecture of each chorale rests.

How to use it

Program this in a winter concert's second half to set a contrasting, reverent mood after lighter seasonal fare. The dual-chorale structure also makes it suitable as a bridge piece between sections of a concert or as a thoughtful closer that leaves the audience in a contemplative frame of mind.

Skills your students will build

  • Balancing ensemble texture to support harmonic clarity
  • Sustaining pure tone through long, held notes without fatigue
  • Recognizing and executing phrase shapes derived from vocal music
  • Responding to harmonic rhythm and cadential structure
  • Reading and performing straightforward concert band voicing

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